WO1999060561A2 - Split band linear prediction vocoder - Google Patents

Abstract

A speech coder includes an encoder using an analysis and synthesis approach. The encoder uses a pitch determination algorithm requiring analysis in both the frequency domain and the time domain, a voicing determination algorithm and an algorithm for determining spectral amplitudes and means for quantising the values determined. A decoder is also described.

Description

SPEECH CODERS

This invention relates to speech coders.

The invention finds particular, though not exclusive, application in

telecommunications systems.

According to one aspect of the invention there is provided a speech coder including

an encoder for encoding an input speech signal divided into frames each consisting

of a predetermined number of digital samples, the encoder including: linear predictive

coding (LPC) means for analysing samples and generating at least one set of linear

prediction coefficients for each frame; pitch determination means for determining at

least one value of pitch for each frame, the pitch determination means including first

estimation means for analysing samples using a frequency domain technique

(frequency domain analysis), second estimation means for analysing samples using

a time domain technique (time domain analysis) and pitch evaluation means for using

the results of said frequency domain and time domain analyses to derive a said value

of pitch; voicing means for defining a measure of voiced and unvoiced signals in each

frame; amplitude determination means for generating amplitude information for each

frame, and quantisation means for quantising said set of linear prediction coefficients,

said value of pitch, said measure of voiced and unvoiced signals and said amplitude

information to generate a set of quantisation indices for each frame, wherein said first estimation means generates a first measure of pitch for each of a number of candidate

pitch values, the second estimation means generates a respective second measure of

pitch for each of said candidate pitch values and said evaluation means combines each

of at least some of the first measures with the corresponding said second measure and

selects one of the candidate pitch values by reference to the resultant combinations.

According to another aspect of the invention there is provided a speech coder

including an encoder for encoding an input speech signal, the encoder comprising

means for sampling the input speech signal to produce digital samples and for dividing

the samples into frames each consisting of a predetermined number of samples, linear

predictive coding (LPC) means for analysing samples and generating at least one set

of linear prediction coefficients for each frame, pitch determination means for

determining at least one value of pitch for each frame, voicing means for defining a

measure of voiced and unvoiced signals in each frame, amplitude determination

means for generating amplitude information for each frame, and quantisation means

for quantising said set of linear prediction coefficients, said value of pitch, said

measure of voiced and unvoiced signals and said amplitude information to generate

a set of quantisation indices for each frame, wherein said pitch determination means

includes pitch estimation means for determining an estimate of the value of pitch and

pitch refinement means for deriving the value of pitch from the estimate, the pitch

refinement means defining a set of candidate pitch values including fractional values

distributed about said estimate of the value of pitch determined by the pitch estimation means, identifying peaks in a frequency spectrum of the frame, for each said candidate

pitch value correlating said peaks with amplitudes at different harmonic frequencies

(kω₀) of a frequency spectrum of the frame, where ω = — , P is a said candidate

° p pitch value and k is an integer, and selecting as a said value of pitch the candidate

pitch value giving the maximum correlation.

According to a further aspect of the invention there is provided a speech coder

including an encoder for encoding an input speech signal, the encoder comprising

means for sampling the input speech signal to produce digital samples and for dividing

the samples into frames, each consisting of a predetermined number of samples, linear

predictive coding (LPC) means for analysing samples and generating at least one set

of linear prediction coefficients for each frame, pitch determination means for

determining at least one value of pitch for each frame, voicing means for determining

for each frame a voicing cut-off frequency for separating a frequency spectrum from

the frame into a voiced part and an unvoiced part without evaluating the

voiced/unvoiced status of individual harmonic frequency bands, amplitude

determination means for generating amplitude information for each frame, and

quantisation means for quantising said set of coefficients, said value of pitch, said

voicing cut-off frequency and said amplitude information to generate a set of

quantisation indices for each frame.

According to a yet further aspect of the invention there is provided a speech coder including an encoder for encoding an input speech signal, the encoder comprising,

means for sampling the input speech signal to produce digital samples and for dividing

the samples into frames each consisting of a predetermined number of samples, linear

predictive coding (LPC) means for analysing samples and generating at least one set

of linear prediction coefficients for each frame, pitch determination means for

determining at least one value of pitch for each frame, voicing means for defining a

measure of voiced and unvoiced signals in each frame, amplitude determination

means for generating amplitude information for each frame, and quantisation means

for quantising said set of prediction coefficients, said value of pitch, said measure of

voiced and unvoiced signals and said amplitude information to generate a set of

quantisation indices for each frame, wherein the amplitude determination means

generates, for each frame, a set of spectral amplitudes for frequency bands centred on

frequencies harmonically related to the value of pitch determined by the pitch

determination means, and the quantisation means quantises the normalised spectral

amplitudes to generate a first part of an amplitude quantisation index.

According to a yet further aspect of the invention there is provided a speech coder

including an encoder for encoding an input speech signal, the encoder comprising

means for sampling the input speech signal to produce digital samples and for dividing

the samples into frames each consisting of a predetermined number of samples, linear

predictive coding means for analysing samples to generate a respective set of Line

Spectral Frequency (LSF) coefficients for a leading part and for a trailing part of each frame, pitch determination means for determining at least one value of pitch for each

frame, voicing means for defining a measure of voiced and unvoiced signals in each

frame, amplitude determination means for generating amplitude information for each

frame, and quantisation means for quantising said sets of LSF coefficients, said value

of pitch, said measure of voiced and unvoiced signals and said amplitude information

to generate a set of quantisation indices, wherein said quantisation means defines a set

of quantised LSF coefficients (LSF'2) for the leading part of the current frame by the

expression

LSF'2 = α LSF1 + (1-α) LSF'3,

where LSF'3 and LSF'l are respectively sets of quantised LSF coefficients for the

trailing parts of the current frame and the frame immediately preceding the current

frame, and α is a vector in a first vector quantisation codebook, defines each said set

of quantised LSF coefficients LSF'2,LSF'3 for the leading and trailing parts

respectively of the current frame as a combination of respective LSF quantisation

vectors Q2,Q3 of a second vector quantisation codebook and respective prediction

values P2,P3, where P2=λQl and P3=λQ2, λ is a constant and Ql is a said LSF

quantisation vector for the trailing part of said immediately preceding frame, and

selects said vector Q3 and said vector from the first and second vector quantisation

codebooks respectively to minimise a measure of distortion between the LSF

coefficients generated by the linear predictive coding means (LSF2, LSF3) for the

current frame and the corresponding quantised LSF coefficients (LSF'2, LSF'3). According to yet a further aspect of the invention there is provided a speech coder for

decoding a set of quantisation indices representing LSF coefficients, pitch value, a

measure of voiced and unvoiced signals and amplitude information, including

processor means for deriving an excitation signal from said indices representing pitch

value, measure of voiced and unvoiced signals and amplitude information, a LPC

synthesis filter for filtering the excitation signal in response to said LSF coefficients,

means for comparing pitch cycle energy at. the LPC synthesis filter output with

corresponding pitch cycle energy in the excitation signal, means for modifying the

excitation signal to reduce a difference between the compared pitch cycle energies and

a further LPC synthesis filter for filtering the modified excitation signal.

Embodiments according to the invention are now described, by way of example only,

with reference to the accompany drawings in which:

Figure 1 is a generalised representation of a speech coder;

Figure 2 is a block diagram showing the encoder of a speech coder according to the

invention;

Figure 3 shows a waveform of an analogue input speech signal;

Figure 4 is a block diagram showing a pitch detection algorithm used in the encoder of Figure 2;

Figure 5 illustrates the determination of voicing cut-off frequency;

Figure 6(a) shows an LPC Spectrum for a frame;

Figure 6(b) shows spectral amplitudes derived from the LPC spectrum of Figure 6(a);

Figure 6(c) shows a quantisation vector derived from the spectral amplitudes of

Figure 6(b);

Figure 7 shows the decoder of the speech coder;

Figure 8 illustrates an energy-dependent interpolation factor for the LSF coefficients;

and

Figure 9 illustrates a perceptually-enhanced LPC spectrum used to weight the

dequantised spectral amplitudes.

It will be appreciated that the encoders and decoders described hereinafter with

reference to the drawings are implemented algorithmically, as software instructions

carried out in a suitable designated signal processor. The blocks shown in the drawings are intended to facilitate explanation of the function of each processing step

carried out by the processor, rather than to represent discrete hardware components

in the speech coder. Alternatively, of course, the encoders and decoders could be

implemented using hardware components.

Figure 1 is a generalised representation of a speech coder, comprising an encoder 1

and a decoder 2. In use, an analogue input speech signal S,(t) is received at the

encoder 1 where it is sampled, typically at a sampling frequency of 8kHz. The

sampled speech signal is then divided into frames and each frame is encoded to

produce a set of quantisation indices which represent the waveform of the input

speech signal, but contain relatively few bits. The quantisation indices for successive

frames are transmitted to the decoder 2 over a communications channel 3, and the

decoder 2 processes the received quantisation indices to synthesize an analogue output

speech signal S₀(t)corresponding to the original input speech signal. In the case of a

telecommunications link using a speech coder, the speech channel requires an encoder

at the speech signal input end and a decoder at the reception end. Therefore, the

speech coder associated with one end of the telecommunications link requires both an

encoder and a decoder which may be connected to separate channels in the case of a

duplex link or the same channel in the case of a simplex link.

Figure 2 shows the encoder of one embodiment of a speech coder according to the

invention referred to hereinafter as a Split-Band LPC (SB-LPC) speech coder. The speech coder uses an Analysis and Synthesis scheme.

The described speech coder is designed to operate at a bit rate of 2.4kb/s; however,

lower and higher bit rates are possible (for example, bit rates in the range from 1.2kb/s

to 6.8kb/s) depending on the level of quantisation used and the rate at which the

quantisation indices are updated.

Initially, the analogue input speech signal is low pass filtered to remove frequencies

outside the human voice range. The low pass filtered signal is then sampled at a

sampling frequency of 8kHz. The resultant digital signal d₍(t) is then preconditioned

by passing the signal through a high-pass filter 10 which, in this particular

implementation has a transfer function H(z) of the form

1 - z

HΛ z ) =

1 - 0 . 9183 z -1

The effect of the high-pass filter 10 is to remove any DC level that might be present.

The preconditioned digital signal is then passed through a Hamming window 1 1

which is effective to divide the signal into frames. In this example, each frame is 160

samples long, corresponding to a frame up-date time interval of 20ms. The

coefficients W_Hamm(i) of the Hamming window 1 1 are defined as

( 2πi *.« < * ! = 0 . 54 - 0 . 4 6 cos for 0 < i < 159 The frequency spectrum of each frame is then modelled on the output of a linear time-

varying filter, more specifically an all-pole linear predictive LPC filter 12 having a

preset number L of LPC coefficients which are obtained using the known Levinson-

Durbin algorithm. The LPC filter 12 attempts to establish a linear relationship

between each input sample in the current frame and the L preceding samples.

Therefore, if the i^th input sample is represented as a, and the LPC coefficients are

represented as LPC(j), then the values of LPC(j) are chosen to minimise the

expression:

N

= Σ [ a _i -∑ LPC (j -l ) a . ] ² i =0 j =l ^J

where, in this example, N = 160 and L = 10.

The LPC coefficients LPC(0),LPC(1) ... LPC(9) are then transformed to generate

corresponding Line Spectral Frequency (LSF) coefficients LSF(O), LSF(l ) ... LSF(9)

for the frame. This is carried out in LPC-LSF transformer 13 using a known root

search method.

The LSF coefficients are then passed to a vector quantiser 14 where they undergo a

vector quantisation process to generate an LSF quantisation index L for the frame

which is routed to a first output O, of the encoder. Alternatively, the LSF coefficients

could be quantised using scalar quantisers. As is known, LSF coefficients are always monotonic and this makes the quantisation

process easier than would be the case using LPC coefficients. Furthermore, the LSF

coefficients facilitate frame-to- frame interpolation, a process needed in the decoder.

The vector quantisation process takes account of the relative frequencies of the LSF

coefficients in such a way as to give greater weight to coefficients which are relatively

close in frequency and therefore representative of a significant peak in the frequency

spectrum of the input speech signal.

In this particular implementation of the invention, the LSF coefficients are quantised

using a total of 24 bits. The coefficients LSF(O), LSF( 1),LSF(2) form a first group

G, which is quantised using 8 bits, coefficients LSF(3),LSF(4),LSF(5) form a second

group G₂ which is quantised using 8 bits and coefficients

LSF(6),LSF(7),LSF(8),LSF(9) form a third group G₃ which is also quantised using 8

bits.

Each group of LSF coefficients is quantised separately. By way of illustration, the

quantisation process will be described in detail with reference to group G,; however,

substantially the same process is also used for groups G-, and G₃.

The vector quantisation process is carried out using a codebook containing 2⁸ entries, numbered 1 to 256, the r^th entry in the codebook consisting of a vector Y_r of three elements V_r(0), V_r( l ), V_r(2) corresponding to the coefficients LSF(0),LSF(1),LSF(2) respectively. The aim of the quantisation process is to select a vector ¥._ which best matches the actual LSF coefficients.

For each entry in the codebook, the vector quantiser 14 forms the summation i =2

∑ [ ( v_c [ i ) - LSF ( i ) ) w ( i )

where W(i) is a weighting factor, and the entry giving the minimum summation defines the 8 bit quantisation index for the LSF coefficients in group G,.

The effect of the weighting factor is to emphasise the importance in the above summations of the more significant peaks for which the LSF coefficients are relatively close.

The RMS energy E₀ of the 160 samples in the current frame n is calculated in background signal estimation block 15 and this value is used to update the value of a background energy estimate E_BG ⁿ according to the following criteria:

^hBG . _ ^■kflG if

1 . 03 ^E° ^' -ι 03

where E_BG ^n'' is the background energy estimate for the immediately preceding frame, If E_Rπ ⁿ is less than 1, then E_Bπ" is set at 1

The values of E_BG ⁿ and E₀ are then used to update the values of NRGS and NRGB which represent the expected values of the RMS energy of the speech and background components respectively of the input signal according to the following criteria:

NRGB GB n -l ifE <1 . 5£ BG

> NRGB "^{~ 1}

and if NRGB" < 0.05 then NRGB" is set at 0.05, and

NRGS " ^{' 1} i f E < 2 . 0E_

NRGS E ^B"^r-

and if NRGS" < 2.0, then NRGS" is set at 2.0 and if NRGB" > NRGS" then NRGS" is set to NRGB".

By way of illustration, Figure 3 depicts the waveform of an analogue input speech

signal S,(t) contained within the interval (20ms long) of the current frame F₀. The waveform exhibits relatively large amplitude pitch pulses P_u which are an important

characteristic of human speech. The pitch or pitch period P for the frame is defined

as the time interval between consecutive pitch pulses in the frame and this can be

expressed in terms of the number of samples contained within that time interval. The

pitch period P is inversely related to the fundamental pitch frequency Cύ₀, where ( ₀

2π

P

For speech sampled at 8kHz it is reasonable to consider a pitch period of from 15 to

150 samples, corresponding to a fundamental pitch frequency in the range from about

50Hz to 535Hz. The fundamental pitch frequency Q₀ will, of course, be accompanied

by a number of harmonic frequencies.

As already explained, pitch period P is an important characteristic of the speech signal

and therefore forms the basis of another quantisation index £ which is routed to a

second output 0₂ of the encoder. Furthermore, as will become clear, the pitch period

P is central to the determination of other quantisation indices produced by the encoder.

Therefore, considerable care is taken to evaluate the pitch period P with the required

precision and in as reliable a manner as possible. To this end, a pitch detector 16

subjects each frame to analysis both in the frequency domain and in the time domain

using a pitch detection algorithm which is now descnbed in detail with reference to

Figure 4. To facilitate analysis in the frequency domain, a discrete Fourier transform is

performed in DFT block 17 using a 512 point fast Fourier transform (FFT) algorithm.

Samples are supplied to the DFT block 17 via a 221 point Kaiser window 18 centred

on the current frame and the samples are padded with zeros to bring their number to

512.

Referring to Figure 4, the magnitudes M(i) of the resultant frequency spectrum are

calculated in block 401 using the real and imaginary components SWR(i) and SWI(i)

of the transform, and in order to reduce complexity this is done at each frequency i up

to a predetermined cut-off frequency (Cut), where i is expressed in terms of the output

samples of the FFT running from O to 255. In this embodiment, the cut-off frequency

is at i=90, corresponding to 1.5kHz which far exceeds the maximum expected

fundamental pitch frequency.

The magnitudes M(i) are calculated as

M( i ) = (sWR ( i ) ² + SWI ( i ) ² )^V~ for O ≤ i ≤ Cu t - 1

and the RMS value of M(i), M_max is calculated in block 402, as

In order to improve the performance of the pitch estimation algorithm, the magnitudes

M(i) are preprocessed in blocks 404 to 407.

Initially, in block 404, a bias is applied in order to de-emphasise the main peaks in the

frequency spectrum. If any magnitude M(i) exceeds M_max it is replaced by a new

magnitude given by (M(i)M_max)'². A further bias is then applied to emphasise the

lower frequencies which are more important in terms of their speech content, and, to

this end, each magnitude is weighted by the factor 1 -

Cu + 5

To improve performance against background noise, a noise cancellation algorithm is

applied to the weighted magnitudes in block 405. To this end, each magnitude M(i)

is tracked during non-speech frames to obtain an estimate M_mem(i) of background

noise. If E₀ < 1.5 E_BG" the value of M_mem(i) is up-dated to produce a new value

M'_mem ) given by:

M'_mem(ι) = 0.9 M_mem(i) + 0.1 M(i)

MR.GS ^a

If the ratio is less than a threshold value (typically in the range from 5 to 20)

NRGB " and no update of M_mem has taken place for the current frame indicating that the frame

contains significant background noise in addition to speech then the value kM'_mem(i)

(where k is a constant, typically 0.9) is subtracted from M(i) for each frequency i in

the frequency spectrum in order to reduce the effect of the background noise. If the

difference is negative or close to zero, less than a threshold value, 0.0001 say, then M(i) is set at the threshold value.

The resultant magnitudes M'(i) are then analysed in block 406 to detect for peaks.

This is done by comparing each magnitude M'(i) (apart from those at the extremes of

the frequency range) with its immediate neighbours M'(i-l) and M'(i+1), and if it is

higher than both it is declared a peak. For each peak so detected its magnitude is

stored as amp_pk(l) and its frequency is stored as freq_pk(l), where 1 is the number of the

peak.

A smoothing algorithm is then applied to the magnitudes M'(i)in block 407 to generate

a relatively smooth envelope for the frequency spectrum. The smoothing algorithm

is carried out in two stages. In the first stage, a variable x is initialised at zero and is

compared with the magnitude M'(i) at each value of i starting at zero and finishing at

Cut-1. If x is less than M'(i), x is set to that value; otherwise, the value of M'(i) is set

to x, and x is multiplied by an envelope decay factor, 0.85 in this example. The same

procedure is then carried out again, but in the opposite direction, i.e. for values of i

starting at Cut- 1 and finishing at zero.

The effect of this process is to generate a set of magnitudes a(i) for 0< i < Cut-1

representing a smoothed, exponentially decaying envelope of the frequency spectrum;

in particular, the process is effective to eliminate relatively small peaks residing next

to larger peaks. It will be apparent that the peak-detection process carried out in block 406 will

identify any peak, even small ones. In order to reduce the amount of processing in

subsequent stages of the algorithm a peak is discarded by block 408 if its magnitude

amp_pk is less than a factor c times the magnitude a(i) at the same frequency. In this

example, c is set at 0.5.

The magnitude values a(i) generated in block 407, and the remaining amplitude and

frequency values, amp_pk and freq_pk generated in blocks 406 and 408 are used in

block 409 to evaluate a first estimate of the pitch period.

To this end, a function Metl is evaluated for each candidate pitch period P in the

range from 15 to 150. To reduce complexity this may be done using steps of 0.5 up

to the value 75, and steps of unity thereafter. Metl is evaluated using the expression:-

Metl(ω_o) = a(kω_o)² → EQ 1,

where e(k,cd_o) = Max \[amp_pk(l) D(freq_pk(l) - kω j,

ω, = 2π

K(ω₀) is the number of harmonics below the cut-off frequency, and D(freq_pk(l) - kω₀)

= sine (freq_pk(l) - kω₀).

In effect, this expression can be thought of as the cross-correlation function between the frequency response of a comb filter defined by the harmonic amplitudes a(kω₀) of

the pitch candidate P and the optimum peak amplitudes e(kω₀). The function

D(freq_pk(l) - kω₀) is a distance measure related to the frequency separation between

the 1^th peak in the frequency spectrum and the k^th harmonic frequency of the pitch

candidate P within a specified search distance. As e(kω₀) depends on both the

distance measure and on peak amplitude it is possible that the optimum value e(kω₀)

might not correspond to the minimum separation between the harmonic frequency kω₀

and the frequencies of the peaks.

Having evaluated Metl(ω₀) for each pitch candidate P the values obtained are

multiplied by a weighting factor bl = ( l - 0 . 1 ) so as to bias the values slightly

in favour of the smaller pitch candidates.

The higher the value of Metl(ω₀), the greater the likelihood that the corresponding

pitch candidate is the actual pitch value. Moreover, if the pitch candidate is twice the

actual pitch value (i.e. pitch doubling) the value of Metl (ω₀) will be small; as will be

described, this leads to the elimination of these unwanted pitch candidates at a later

stage in the processing.

In order to identify the most promising pitch candidates, peak values of Metl (ω₀) are

detected in block 410. This is done by processing the values of Metl (ω₀) generated

in block 409 to detect for a maximum in each of five contiguous ranges of pitch, i.e. in pitch ranges 15 to 27.5, 28 to 49.5, 50 to 94.5, 95 to 124.5, 125 to 150 and a

maximum value within the range ±5 of a tracked pitch trP (to be described later). The

five contiguous pitch ranges are so selected as to eliminate the possibility of pitch

doubling or pitch halving within each range; that is, a peak detected in a range cannot

have twice or half of the pitch of any other peak in the same range. By this means, six

peak values Metl(l),Metl(2),Metl(3),Metl(4), Metl(5), Metl(6) are retained for

further processing along with their respective pitch values P_I,P₂,P₃,P₄,P₅,P₆. Although

the value of ω₀ which maximises Metl(ω₀) provides a reasonable estimation of pitch

value, it is sometimes susceptible to error; in particular, it might sometimes identify

a pitch value which is half the actual pitch value (i.e. a pitch halving).

To alleviate this problem, a second estimate of pitch is evaluated in block 411 for each

of the six candidate pitch values P,,P₂,P₃,P₄,P₅,P₆ derived from the first estimate.

The second estimate is evaluated using a time-domain analysis technique by forming

different summations of the absolute values I d(i) I of the input samples over a single

pitch period P. To that end, the summation

i = Ar + P f ( k , p) Σ Σ \ d [ i )

is formed for each value of k between N-80 and N+79, where N is the sample number

at the centre of the current frame. Thus, for each candidate pitch value

Pι,P₂,P„P₄ P₅ P₆ a respective set of 160 summations is generated, each summation in the set starting at a different position in the frame.

If a pitch candidate is close to the actual pitch value, there should be little or no

variation between the summations of the corresponding set. However, if the candidate

and actual pitch values are very different (e.g. if the candidate pitch value is half the

actual pitch value) there will be significant variation between the summations of the

set. In order to detect for any such variation, the summations of each set are high-pass

filtered and the sum of the squares of the resultant high-pass filtered values is used to

evaluate a second estimate Met2. A small offset value is added to reduce pitch

multiple errors when the speech is extremely periodic. A respective second estimate

Met2(l),Met2(2) Met2(3),Met2(4),Met2(5),Met2(6) is evaluated for each of the

candidate pitch values P,,P₂,P₃,P₄ P₅ P₆ selected using the first estimate. Clearly, the

smaller the value of Met2 the more likely that the corresponding pitch candidate is the

actual pitch value. In the case of pitch halving, the value of Met2 will be large and

this facilitates the elimination of this unwanted pitch candidate.

Optionally, the input samples for the current frame may be autocorrelated in block 412

with a view to further improving the reliability of the first and second estimates Metl

and Met2. The normalised autocorrelations are examined to find the two highest

values (V,,V₂), and the corresponding lags L_l5L₂ (expressed as a number of samples)

between consecutive occurrences of those values are also determined. If the ratio

between V, and V, exceeds a preset threshold value (typically about 1.1 ), then the confidence is high that the values L,L₂ are close to the correct pitch value. If so, the

values of Metl and Met2 for candidate pitch values which come close to L, or L₂

are multiplied by respective weighting factors b₂ and b₃ to improve their chances

of selection in the final estimation of pitch value.

The values of Metl and Met2 are further weighted in block 413 according to a tracked

pitch value, trP. Provided the current frame contains speech i.e. if E₀ > 1.5 E_BG ⁿ , the

value of trP is updated using the pitch value estimated for the immediately preceding

frame, the extent of the up-date being greater for higher values of speech energy. The

ratio,

P - trP

Y trP

is then evaluated for each candidate pitch value P,,P₂,P₃,P₄,P₅ P₆.

In this example, if γ is less than 0.5, i.e. the candidate pitch value is close to the

tracked pitch value estimated from the pitch values of earlier frames, the respective

values of Metl and Met2 are multiplied by further weighting factors b₄ and b₅

respectively. The values of b₄ and b₅ depend upon the level of background noise in

the frame. If this is determined to be relatively high, e.g. < 10 , b₄ is set at

NRGB

1.25 and b₅ is set at 0.85. However, if γ<0.3 (i.e. the candidate pitch value is even

closer to the tracked value) b₄ is set at 1.56 and b₅ is set at 0.72. If it is determined

that there is no significant background noise, e.g. NR > 10 , the extent of the bias

NRGB is reduced - if γ<0.5, b₄ is set at 1.1 and b₅ is set at 0.9 and for γ<0.3, b₄ is set at

1.21 and b₅ is set at 0.8.

The weighted values of Met2 are then used to discard any candidate pitch value which

is clearly unpromising. To this end, the weighted values of Met2 are analysed in

block 414 to detect for the minimum value and if any other value exceeds this

minimum by more than a preset factor (e.g. 2.0) plus a constant (e.g. 0.1) it is

discarded along with the corresponding values of Metl(ω₀)and P.

As already described, if the pitch candidate is close to the correct value, Metl will be

very large and Met2 will be very small; therefore, a ratio derived from Metl and Met2

provides a very sensitive measure of the correctness or otherwise of the pitch

candidates.

Accordingly, in block 415, the ratio R = - , where Met'l and Met'2 are the

Me t '2⁰ -²⁵ weighted values of Metl and Met2, is evaluated for each of the remaining pitch

candidates, and the candidate pitch value corresponding to the maximum ratio R is

selected as the estimated pitch value P₀ for the current frame. A check is then made

to confirm that the estimated pitch value P₀ is not a submultiple of the actual pitch p value. To this end, the ratio S_m = — - is calculated for each remaining candidate pitch n value P_n and provided this ratio is close to an integer greater than 1 (e.g. within 0.3 of

that integer), P₀ is confirmed in block 416 as the estimated pitch value for the frame. The pitch algorithm described in detail with reference to Figure 4 is extremely robust

and involves the combination of both frequency and time domain techniques to

eliminate pitch doubling and pitch halving.

Although the pitch value P₀ is estimated to an accuracy within 0.5 samples or 1 sample

depending on the range within which the candiate value falls, this accuracy may not

be sufficient for the processing which needs to be carried out in subsequent stages of

the encoder, and so better accuracy is needed. Therefore, a refined pitch value is

estimated in pitch refinement block 19.

To facilitate this, a second discrete Fourier transform is performed in DFT block 20,

again using a 512 point fast Fourier transformation algorithm. As described earlier,

samples were supplied to DFT block 17 via a 221 point Kaiser window 18. This

window is too wide for the processing techniques that are now required, and so a

narrower window is needed. Nevertheless, the window should still be at least three

pitch periods wide. Therefore, the input samples are supplied to DFT block 20 via a

variable length window 21 which is sensitive to the pitch value P₀ detected in pitch

detector 16. In this example, three different window sizes are used 221 , 181 and 161

respectively corresponding to the ranges P_o>70, 70>P_o> 55 and 55>P₀. Again,

these are Kaiser windows centred on the current frame.

The pitch refinement block 19 generates a new set of candidate pitch values containing fractional values distributed to either side of the estimated pitch value P₀.

In this embodiment, a total of 50 such pitch candidate pitch values (including P₀) is

used. A new value of Metl is then computed for each of these candidate pitch values,

and the candidate pitch value giving the maximum value of Metl is selected as the

refined pitch value P_ret upon which all subsequent processing will be based.

The new values of Metl are computed in pitch refinement block 19 using substantially

the same process as that described earlier with reference to Figure 4, but with certain

important modifications. Firstly, the magnitudes M(i) are calculated for the entire

frequency spectrum generated by DFT block 20, instead of only for the low frequency

range of the spectrum (i.e. values of i up to Cut- 1). Secondly, the summation

expressed in Equation 1 above is performed in two parts; a first (low frequency) part

for values of kω₀ up to 1.5kHz( corresponding to i=90), and a second (high frequency)

part for the remaining values of kω₀ and these two parts of the summation are

weighted by different factors, 0.25 and 1.0 respectively.

As already described, the estimated pitch value P₀ was based on an analysis of the low

frequency range only and so any inaccuracy in this estimate is largely attributable to

the effect of the higher frequencies which were excluded from the analysis. In order

to rectify this omission, the higher frequencies are included in the analysis carried out

in block 19, and their effect is emphasised by the relative magnitudes of the weighting

factors applied to the respective parts of the summation. Furthermore, the bias originally applied to the magnitude values M(i) in block 404, and which had the (now

unwanted) effect of emphasising the lower frequencies is omitted from the analysis,

and consequently the value M_max (originally evaluated in block 402) is not required

either.

The refined pitch value P_ref generated in block 19 is passed to vector quantiser 22

where it is quantised to generate the pitch quantisation index £.

In this embodiment, the pitch quantisation index R is defined by seven bits

(corresponding to 128 levels), and the vector quantiser 22 is an exponential quantiser

to take account of the fact that the human ear is less sensitive to pitch inaccuracies at

larger pitch values. The quantised pitch levels L_p(i) are defined as

150 127

L ( i \ 15 for 0 < i < 127

15

It will be appreciated that at a sampling rate of 8kHz as many as up to 80 harmonic

frequencies may be contained within the 4kHz bandwidth of the DFT block 20.

Clearly, a very large number of bits would be needed to encode all these harmonics

individually, and this is not practicable in a speech encoder for which a relatively low

bit rate is required. A more economical encoding model is needed. As will now be described with reference to Figure 5, the actual frequency spectrum

derived from DFT block 20 is analysed in a voicing block 23 to set a voicing cut-off

frequency F_c which divides the spectrum into two parts; a voiced part below the

voicing cut-off frequency F_c, which is the periodic component of speech and an

unvoiced part which is the random component of speech.

Once the voiced and unvoiced parts of the spectrum have been separated in this way,

they can be independently processed in the decoder without the need to generate and

transmit information about the voiced/unvoiced status of each individual harmonic

band.

Each harmonic band is centred on a multiple k of a fundamental frequency ω₀, given

by 2π

^Pr_{e C}

Initially, the shape of each harmonic band is correlated with the ideal harmonic shape

for the band (assuming it to be voiced) given by the Fourier transform of the selected

variable length window 21. This is done by generating a correlation function S, for

each harmonic band. For the k^Ih harmonic band,

S₁ ( k ) = M( a ) ^~V (m ) , → 2

where M(a) is the complex value of the spectrum at position a in the FFT, a_k and b_k are the limits of the summation for the band, and

W(m) is the corresponding magnitude of the ideal harmonic shape for the

band, derived from the selected window, m being an integer defining the position in

the ideal harmonic shape corresponding to the position a in the actual harmonic band,

which is given by the expression:

m integer Sbf (a - k

where SF is the size of the FFT and Sbt is an up-sampling ratio, i.e. the ratio of the

number of points in the window to the number of points in the FFT.

In addition to S,, two normalisation functions S₂ and S₃ are generated, where

*r_* S₂(k) = ∑ [Mia) ]² ,

and

a=b.

S,(k) = ∑ iWim) ]

These three functions S,(k),S₂(k) and S₃(k) are then combined to generate a

normalised correlation function V(k) given by,

S {k)

V(k) =

S₂ (k) • S₃ (k) where k is the number of harmonic bands. V(k) is further biassed by raising it to the power of l 3 ( Jt -10 )

40

If there is exact correlation between the actual and the ideal harmonic shapes, the value of V(k) will be unity. Figure 5 shows the form of a typical normalised correlation function V(k) for the case of a frequency spectrum for which the total number K of harmonic bands is 25(i.e. k = 1 to 25). As shown in this Figure, the harmonic bands at the low frequency end of the spectrum are relatively close to unity and are therefore likely to be voiced.

In order to set a value for F_c, the function V(k) is compared with a corresponding threshold function THRES(k) at each value of k. The form of a typical threshold function THRES(k) is also shown in Figure 5.

In order to compute THRES(k) the following values are used:

E-lf, E-hf, tr-E-lf, tr-E-hf, ZC, L„L₂,PKY1 , PKY2, T, T₂. These are defined as follows:

'/aSF-l

E-lf= ∑ M² ( i )

SF-X

-hf= ∑ M² ( i ) i =SF/Z

If (E₀ ⁿ < 2 E_Bϋ ⁿ) and the frame counter is less than 20,

trⁿ-E-lf = 0.9 tr"-'-E-lf + 0.1 E"-lf, and

trⁿ-E-hf = 0.9 tr"-'-E-lf + 0.1 E^π-hf. Otherwise, if (E₀" < 1.5 E_BG"),

tr"-E-lf = 0.97 tr-'-E-lf + 0.03 Eⁿ-lf, and

tr"-E-hf = 0.97 tr^-E-hf + 0.03 E"-hf.

Also, tr°-E-lf=10⁸,

and tr°-E-hfM0⁷.

ZC is set to zero, and for each i between -N/2 and N/2

ZC = ZC + 1 if ip [i] x ip [i- 1] < O,

where ip is input speech referenced so that ip [0] corresponds to the input sample lying in the centre of the window used to obtain the spectrum for the current frame.

W 2 -1 = l residual ( i ) and

At i = -W/2

( residual ( i ) ) ²

where residual (i) is an LPC residual signal generated at the output of a LPC inverse

filter 28, and referenced so that residual (0) corresponds to ip(o).

PKYl =L2/L1

and Ll'

where L 1 ', L2' are calculated as for L 1 ,L2 respectively, but excluding a predetermined

number of values to either side of the maximum residual value averaged over a

correspondingly reduced number of terms. PKYl and PKY2 are both indications of

the "peakiness" of the residual speech, but PKY2 is less sensitive to exceptionally

large peaks.

W/2-1 τ₂ = p[il

- Σ i - N/2

If (NRGS < 30 x NRGB) i.e. noisy background conditions prevail, and if (E-lf > tr-E-

lf) and (E-hf >tr-E-hf), then a low-to-high frequency energy ratio (LH-Ratio) is given

by the expression

LH-Ratιo = E-lf-0. tr-E-lf ,

E-hf-0. tr-E-hf

and if (E-lf<tr-E-lf), then

LH - Ratio - 0.02,

andifE-hf<tr-E-hf, then

LH- Ratio = 1.0, and LH-Ratio is clamped between 0.02 and 1.0.

In these noisy background conditions, two different situations exist; namely, case 1

where the threshold value THRES(k) in the immediately preceding frame lay below

the cut-off frequency F_c for that frame, and case 2 wherein the threshold value

THRES(k) in the immediately preceding frame lay above the cut-off frequency F_c for

that frame.

If (LH-Ratio<0.2), then for Case 1,

THRES(k) = 1.0 - y₂(1.0 - 7π (k-l)ω₀), and for Case 2

THRES(k) = 1.0 - ¹/3(1.0 - 7π (k-l)ω₀), and these values are then modified as

follows:

THRES(k) = 1.0 - (1.0 - THRES(k)) (LH-Ratio x 5)^v

If LH-Ratio > 0.2, then for Case 1 ,

THRES(k) = 1.0 - Vz ( 1.0 - 7π (k-l)ω₀ x 0.125), and for case 2,

THRES(k) - 1.0 - ¹/₃( 1.0 - 7π (k- l)ω₀ x 0.125) and if

(LH-Ratio> 1.0) these values are modified as follows:

THRES(k) - 1 - (1 - THRES(k))'⁷².

Defining an energy ratio,

ER =2 . 0

E +Emax where E₀ is the energy of the entire frequency spectrum, given by

SF-1

E_o = ∑ (M( i ) ) ²

and Emax is an estimate of the maximum energy encountered in recent frames (where

ER is set at 0.1 if ERO.l), then

if (ER < 0.4), the above threshold values are further modified as follows:

THRES(k) = 1.0 - (1.0 - THRES(k)) (2.5 ER) , and

if (ER > 0.6), the threshold values are further modified as follows:

THRES(k) = 1.0 - (1.0 - THRES(k))

Furthermore, if (THRES(k) > 0.85), these modified values are subjected to a yet

further modification as follows:

THRES(k) = 0.85 + y₂ (THRES(k) - 0.85).

Finally, if ³A K < k < K, then the values of THRES (k) are modified still further as

follows:

THRES(k) = 1.0 - V₂ (1.0 - THRES(k)).

In clean background conditions (i.e. NRGS > 30.0 NRGB) then for Case 1,

THRES(k) = 1.0 - 0.6 (1.0 - 7π (k-1) x 0.25),

and for Case 2,

THRES(k) = 1.0 - 0.45 (1.0 - 7π (k-1) x 0.25). These values then undergo successive modifications according to the following

conditions:

(i) if(E-lf/E-hf< 2.0), then

THRES (k) =l-(l-THRES[k) ) ( ^{E lf}

2.0E-hf

(ii) if(T₂/T,<l),then

T THRES (k) =l-(l-THRES(k) ) (— )²

(iii) if(T₂/T,> 1.5), then

THRES (k) - 1 - (1 - THRES(k))^,/J,

(iv) if(ZC>60),then

60

THRES [k) =1- [l-THRES(k) ) ( )

ZC

(v) if(ER< 0.4), then

THRES(k) = 1 - 2.5 ER (1 - THRES(k))

(vi) if(ER> 0.6), then

THRES(k) = 1 - (THRES(k))'^/2, and finally

(vii) if (THRES(k) > 0.5), then

THRES(k) -1- 1.6(1- THRES(k)), otherwise

THRES(k) - 0.4 THRES(K).

The input speech is low-pass filtered and the normalised cross-correlation is then computed for integer lag values P_ref -3 to P_ref +3, and the maximum value of the cross-

correlation CM is determined.

The value of THRES(k) derived above for noisy and clean background conditions are

then further modified according to the first condition to be satisfied in the following

hierachy of conditions:

1. lf(PKYl > 1.8) and (PKY2 > 1.7),

THRES(k) = 0.5 THRES(k).

2. If (PKYl > 1.7) and (CM > 0.35),

THRES(k) - 0.45 THRES(k).

3. If (PKYl > 1.6) and (CM > 0.2),

THRES(k) = 0.55 THRES(k).

4. If (CM > 0.85) or (PKYl > 1.4 and CM > 0.5) or (PKYl > 1.5 and CM >

0.35),

THRES(k) = 0.75 THRES(k).

5. If (CM < 0.55) and (PKYK 1.25),

THRES(k) = 1 - 0.25 (1 - THRES(k))

6. If (CM < 0.7) and PKYl < 1.4,

THRES(k) = 1 - 0.75 ( 1 - THRES(k)).

Finally, if (E-OR > 0.7) and (ER < 0.1 1) or if (ZC > 90), then THRES(k) = 1 - 0.5 (1 - THRES(k)), where

W ₂ residual ( i ) E-OR = , = -_w/2

W/2 - 1 Σ ip ² ( i l ι = -W/2

A summation S is then formed as follows:

S v = ∑ *— ( V( k) - THRES ( k) ) ( 2 t voice ( Jt) - 1 ) ' x B ( Jt) '

* = 1

where B(k) = 5S₃, if V(k) > THRES(k), otherwise B(k) = S₃, and

t_volce(k) takes either the value " 1 " or the value "0".

In effect, the values ^^(k) define a trial voicing cut-off frequency F_c such that f^k)

is "1 " at all values of k below F_c and is "0" at all values of k above F_c . Figure 5

shows a first set of values t'_v01ce (k) defining a first trial cut-off frequency F'_c and a

second set of values t² _V0Ice(k) defining a second trial cut-off frequency F² _C. In this

embodiment, the summation S is formed for each of eight different sets of values

•••• t⁸ _V0Ice(k), each defining a different trial cut-off frequency F'_C,F² _C

... F⁸ _C. The set of values giving the maximum summation S_v will determine the

voicing cut-off frequency for the frame.

It will be appreciated that the effect of the function (2t_volce(k)- l) in the above

summation is to reverse the sign of the difference value (V(k) - THRES(k)) whenever

t_v0ice(k) has the value "0", i.e. at values of k above the cut-off frequency. In the example shown in Figure 5, the effect of the function (2t_V01ce(k)-l) is to determine

whether the voicing cut-off frequency F_c should be set at a value F'_c which is below

dip D in the correlation function V(k) or at a higher value F² _C above the dip. In the

range of k referenced N in Figure 5, the value V(k) is less than the value THRES(k)

and so the difference value (V(k) - THRES(k)) in the summation S_v is negative. If the

first set of values t'_V01ce(k) is used their effect is to reverse the sign of (V(k) -

THRES(k)) in the range N, resulting in a positive contribution to the overall

summation.

In contrast if the second set of values t² _VOIce(l ) is used their effect is to maintain

unchanged the sign of (V(k) - THRES(k)) in the range N, resulting in a negative

contribution to the overall summation. In the range of k referenced P in Figure 5, the

opposite will be the case; that is, the first set of values t'_V01ce(k) will result in a negative

contribution to the summation for the range, whereas the second set of values ^^k)

will result in a positive contribution to the summation. However, as will be apparent

from the relative areas of the respective cross-hatched regions in Figure 5, the effect

of the difference values (V(k) - THRES(k)) in range N is much greater than in range

P and so, in this example, the first set of values t'_v0lce(k) will give the maximum

summation S_v, and would be used to determine the voicing cut-off frequency (F'_c) for

the frame.

Having selected a value of F_c from the eight possible values, the corresponding index (1 to 8) provides the voicing quantisation index which is routed to a third output 0₃

of the encoder via voicing quantiser 24. The quantisation index Y is defined by three

bits corresponding to the eight possible frequency levels.

Having established values for pitch, P_ref and voicing cut-off frequency, F or the

current frame, the spectral amplitude of each harmonic band is evaluated in amplitude

determination block 25. The spectral amplitudes are derived from a frequency

spectrum produced by performing a discrete Fourier transform in block 27

(implemented as a Fast Fourier Transform) on a windowed LPC residual signal

generated at the output of LPC inverse filter 28. Filter 28 is supplied with the original

input speech signal and with a set of regenerated LPC coefficients generated by

dequantising the LSF quantisation indices in LSF dequantiser 29 and transforming the

dequantised LSF values in an LSF-LPC transformer 30.

If an harmonic band (the k^th band say) lies in the unvoiced part of the frequency

spectrum; that is, it lies above the voicing cut-off frequency F_c, the spectral amplitude

amp(k) of the band is given by the RMS energy in the band, expressed as

where M_r(a) is the complex value at position a in the frequency spectrum derived from

LPC residual signal calculated as before from the real and imaginary parts of the FFT, and a_k and b_k are the limits of the summation for the k^ band, and β is a normalisation

factor which is a function of the window.

If, on the other hand, the harmonic band lies in the voiced part of the frequency

spectrum; that is, it lies below the voicing cut-off frequency F_c the spectral amplitude

amp(k) for the k^lh band is given by the expression

a =b.

∑ M ( a ) W(m ) amp ( k ) a =b_

∑ [ tr im ) ]

where W(m) is as defined with reference to Equations 2 and 3 above.

The spectral amplitudes obtained in this way are normalised to have unity mean.

The normalised spectral amplitudes are then quantised in amplitude quantiser 26. It

will be appreciated that this may be done using a variety of different quantisation

schemes depending upon the number of available bits. In this particular embodiment,

a vector quantisation process is used and reference is made to the LPC frequency

spectrum P(ω) for the frame. The LPC frequency spectrum P(ω)represents the

frequency response of the LPC filter 12 and has the form

P ( ω !

Σ LPC ( l ) e -jωi

1 = 1 where LPC(l) are the LPC coefficients. In this embodiment there are 10 LPC

coefficients, i.e. L=10.

The LPC frequency spectrum P(ω) is shown in Figure 6a and the corresponding

spectral amplitudes amp(k) are shown in Figure 6b. In this example, only 10

harmonic bands (k=l to 10) are shown.

The LPC frequency spectrum is examined to find four harmonic bands containing the

highest magnitudes and, in this illustration, these are the harmonic bands for which

k= 1 ,2,3 and 5. As illustrated in Figure 6c, the corresponding spectral amplitudes

amp(l),amp(2),amp(3),amp(5) form the first four elements V(1),V(2),V(3),V(4) of an

eight element vector, and the last four elements of the vector (V(5) to V(8)) are

formed from the six remaining spectral amplitudes, amp(4) and amp(6) to amp(lθ),

by appropriate averaging. To this end, element V(5) is formed by amp(4), element

V(6) is formed by the average of amp(6) and amp(7), element V(7) is formed by

amρ(8) and element V(8) is formed by the average of amp(9) and amp(lθ).

The vector quantisation process is carried out with reference to the entries in a

codebook, and the entry which best matches the assembled vector (using a mean

squared error measure weighted by the LPC spectral shape) is selected as the first part

SI of an amplitude quantisation index S for the frame. In addition, a second part S2 of the amplitude quantisation indexS is computed as the

RSM energy R^ of the original speech input of the frame.

The first part of the amplitude quantisation index SI represents the "shape" of the

frequency spectrum, whereas the second part of the amplitude quantisation index SI

represents the scale factor related to the volume of the speech signal. In this

embodiment, the first part of the index SI consists of 6 bits (corresponding to a

codebook containing 64 entries, each representing a different spectral "shape") and the

second part of the index S2 consists of 5 bits. The two parts S1,S2 are combined to

form a 11 bit amplitude quantisation index S which is forwarded to a fourth output 0₄

of the encoder.

Depending upon the number of available bits a variety of different schemes can be

used to quantize the spectral amplitude. For example, the quantisation codebook

could contain a larger or smaller number of entries, and each entry may comprise a

vector consisting of a larger or smaller number of amplitude values.

As will be described hereinafter, the decoder operates on the indices S, £ and Y to

synthesise the residual signal whereby to generate an excitation signal which is

supplied to the decoder LPC synthesis filter.

In summary, the encoder generates a set of quantisation indices JL££, £, Y, SI and S2 for each frame of the input speech signal.

The encoder bit rate depends upon the number of bits used to define the quantisation

indices and also upon the update rate of the quantisation indices.

In the described example, the update period for each quantisation index is 20ms (the

same as the frame update period) and the bit rate is 2.4kb/s. The number of bits used

for each quantisation index in this example is summarised in Table 1 below.

TABLE 1

* Three additional bits (giving a total of 48 bits) can either be used for better

quantisation of parameters or for synchronisation and error protection.

Table 1 also summarises the distribution of bits amongst the quantisation indices in

each of five further examples, in which the speech encoder operates at 1.2kb/s,

3.9kb/s, 4.0kb/s, 5.2kb/s and 6.8kb/s respectively. In some of these examples, some or all of the quantisation indices are updated at 10ms

intervals, i.e. twice per frame. It will be noted that in such cases the pitch quantisation

index E derived during the first 10ms update period in a frame may be defined by a

greater number of bits than the pitch quantisation index £ derived during the second

10ms update period. This is because the pitch value derived during the first update

period is used as a basis for the pitch value derived during the second update period,

and so the latter pitch value can be defined using fewer bits.

In the case of the 1.2kb/s rate, the frame length is 40ms. In this case, the pitch and

voicing quantisation indices £, Y are determined for one half of each frame, and the

indices for another half of the frame are obtained by extrapolation from the respective

parameters in adjacent half frames.

The LSF coefficients (LSF2,LSF3) for the leading and trailing halves of the current

40ms frame are quantised with reference to each other and with reference to the LSF

coefficients (LSF1) for the trailing half of the immediately preceding frame and the

corresponding LSF quantisation vector.

Target quantised LSF coefficients (LSF'l , LSF'2, LSF'3) for each half frame are given

by the sum of a respective prediction value (P I , P2, P3) for that half frame and a

respective LSF quantisation vector (Ql , Q2, Q3) contained in a vector quantisation

codebook, where LSF'l =P1+Q1,

LSF'2 = P2 + Q2, and

LSF'3 = P3 + Q3.

Each prediction value P2, P3 is obtained from the respective LSF quantisation vector

Ql, Q2 for the immediately preceding half frame, such that:

P2 = λ Ql, and

P3 = λ Q2,

where λ is a constant prediction factor, typically in the range from 0.5 to 0.7.

To reduce the bit rate, it is useful to define the target quantised LSF coefficients LSF'2

(for the leading half of the current frame) in terms of the target quantised LSF

coefficients (LSF'l, LSF'3) for the adjacent half frames. Thus,

LSF'2 = LSF'l + (1-α) LSF'3, → Eq 4

where α is a vector of 10 elements in a sixteen entry codebook represented by a 4-bit

index.

By substitution of the foregoing equations it can be shown that

LSF'3 ( 1-λ-λα) = Q3 + λα LSF'l - λ²Ql →Eq 5

The only variables in equations 4 and 5 above are the vectors α and Q3, and these vectors are varied to minimise an error function e (which may be perceptually

weighted) given by

e - (LSF'3 - LSF3)² + (LSF'2 - LSF2)²,

which represents a measure of distortion between the actual and quantised LSF

coefficients in the current frame.

The respective codebooks are searched to discover the combination of vectors and

Q3 giving the minimum error function e, and the selected entries in the codebooks

respectively define 4 and 24 bit components of a 28 bit LSF quantisation index for

the current frame. In a manner similar to that described earlier with reference to the

2.4kb/s encoder, the LSF quantisation vectors contained in the vector quantisation

codebook consist of three groups each containing 2⁸ entries, numbered 1 to 256, which

correspond to the first three, the second three and the last four LSF coefficients. The

selected entry in each group defines an eight bit quantisation index, giving a total of

24 bits for the three groups.

The speech coder described with reference to Figures 3 to 6 may operate at a single

bit rate. Alternatively, the speech coder may be an adaptive multi-rate (AMR) coder

selectively operable at any one of two or more different bit rates. In a particular

implementation of this, the AMR coder is selectively operable at any one of the

aforementioned bit rates where, again, the distribution of bits amongst the

quantisation indices for each rate is summarised in Table 1. The quantisation indices generated at outputs 0,,0₂,0₃ and 0₄ of the speech encoder are

transmitted over the communications channel to the decoder, shown in Figure 7. In

the decoder the quantisation indices are regenerated and are supplied to inputs l l₂,Iι

and I₄ of dequantisation blocks 30,31,32 and 33 respectively.

Dequantisation block 30 outputs a set of dequantised LSF coefficients for the frame

and these are used to regenerate a corresponding set of LPC coefficients which are

supplied to an LPC synthesis filter 34.

Dequantisation blocks 31,32 and 33 respectively output dequantised values of pitch

(P_rel), voicing cut-off frequency (F_c) and spectral amplitude (amp(k)) together with the

RMS energy R^, and these values are used to generate an excitation signal E_x for the

LPC synthesis filter 34. To this end, the values P_ref, Fc, amp(k) and f _^ are supplied

to a first excitation generator 35 which synthesises the voiced part of the excitation

signal (i.e. the part containing frequencies below F_c) and to a second excitation

generator 36 which synthesises the unvoiced part of the excitation signal (i.e. the part

containing frequencies above F_c).

The first excitation generator 35 generates a respective sinusoid at the frequency of

each harmonic band; that is at integer multiples of the fundamental pitch frequency

^ωo = up to the voicing cut-off frequency F_c. To this end, the first excitation

generator 35 generates a set of sinusoids of the form A_kcos(kθ), where k is an integer. Using the dequantised pitch value (Pref), the beginning and end of each pitch cycle

within the synthesis frame is determined, and for each pitch cycle a new set of

parameters is obtained by interpolation.

The phase θ(i) at any sample i is given by the expression

θ(i) = θ(i-l) + 2π[ω_tat(l-x) + ω₀.χ] ,

where ω,_ast is the fundamental pitch frequency determined for the immediately

preceding frame, and

x = — where F is the total number of samples in a frame, and k is the

sample position of the middle of the current pitch cycle being synthesised in the

current frame.

The term ω_last(l-x) + ω₀»x in the above expression causes a progressive shift in the

phase, pitch cycle-by-pitch cycle, to ensure a smooth phase transition at the frame

boundaries. The amplitude A_k of each sinusoid is related to the product amp(k). P^

for the current frame; however, interpolation between the amplitudes of the current

and immediately preceding frames carried out on a pitch cycle-to-pitch cycle basis

may be applied, as follows:

(i) If an harmonic frequency band lies in the unvoiced part of the frequency

spectrum in the current frame but lay in the voiced part of the frequency spectrum in

the immediately preceding frame it is assumed that the speech signal is tailing off. In this case, a sinusoid is still generated by excitation generator 35 for the current frame,

but using the amplitude of the earlier frame, scaled down by a suitable ramping factor

(which is preferably held constant over each pitch cycle) over the length of the current

frame.

(ii) If an harmonic frequency band lies in the voiced part of the frequency

spectrum in the current frame but lay in the unvoiced part of the frequency spectrum

in the immediately preceding frame it is assumed that there is an onset in the speech

signal. In this case, the amplitude of the current frame is used, but scaled up by a

suitable ramping factor (which, again, is preferably held constant over each pitch

cycle) over the length of the frame.

(iii) If an harmonic frequency band lies in the voiced part of the frequency

spectrum in both the current and the immediately preceding frames, normal speech is

assumed. In this case, the amplitude is interpolated between the current and previous

amplitude values over the length of the current frame.

Alternatively, voiced part synthesis can be implemented by an inverse DFT method,

where the DFT size is equal to the interpolated pitch length. In each pitch cycle the

input to the DFT consists of the decoded and interpolated spectral amplitudes up to

the point of the interpolated cut-off frequencies F_c, and zeros thereafter. The second excitation generator 36 used to synthesise the unvoiced part of the

excitation signal includes a random noise generator which generates a white noise

sequence. An "overlap and add" technique is used to extract from this sequence a

series of P_ref samples corresponding to the current interpolated pitch cycle. This is

accomplished using a trapezoidal window having an overall width of 256 samples and

which is slid along the white noise sequence, frame-by-frame, in steps of 160 samples.

The windowed samples are subjected to a 256-point fast Fourier transform and the

resultant frequency spectrum is shaped by the dequantised spectral amplitudes. In the

frequency range above F_c, each harmonic band, k, in the frequency spectrum is shaped

by the dequantised and scaled spectral amplitude R_mamp(k) for the band, and in the

frequency range below F_c (which corresponds to the voiced part of the spectrum) the

amplitude of each harmonic band is set to zero. An inverse Fourier transform is then

applied to the shaped frequency spectrum to produce the unvoiced excitation signal

in the time domain. The samples corresponding to the current pitch cycle are then

used to form the unvoiced excitation signal. The use of an "overlap and add"

technique enhances the smoothness of the decoded speech signal.

The voiced excitation signal generated by the first excitation generator 35 and the

unvoiced excitation signal generated by the second excitation generator 36 are added

together in adder 37 and the combined excitation signal Ex is output to the LPC

synthesis filter 34. The LPC synthesis filter 34 receives interpolated LPC coefficients

derived from the decoded LSF coefficients and uses these to filter the combined excitation signal to synthesise the output speech signal S₀(t).

In order to generate a smooth output speech signal S₀(t) any change in the LPC

coefficients should be gradual, and so interpolation is desirable. It is not possible to

interpolate between LPC coefficients directly; however, it is possible to interpolate

between LSF coefficients.

If consecutive frames are completely filled with speech so that the RMS energies in

the frame are substantially the same, the two sets of LSF coefficients for the frames

are not too dissimilar and so a linear interpolation can be applied between them.

However, a problem would arise if a frame contains speech and silence; that is, the

frame contains a speech onset or a speech tail-off. In this situation, the LSF

coefficients for the current frame and the LSF coefficients for the immediately

preceding frame would be very different and so a linear interpolation would tend to

distort the true speech pattern resulting in noise.

In the case of a speech onset, the RMS energy E_c in the current frame is greater than

the RMS energy E_p in the immediately preceding frame, whereas in the case of speech

tail-off the reverse is true.

With a view to alleviating this problem an energy-dependent interpolation is applied.

Figure 8 shows the variation of interpolation factor across the frame for different E ratios — - ranging from 0.125 (speech onset) to 8.0 (speech tail-off). It can be seen

E c from Figure 8, that the effect of the energy-dependent interpolation factors is to

impose a bias toward the more significant set of LSF coefficients so that voiced parts

of the frame are not passed through a filter more appropriate to background noise.

The interpolation procedure is applied to the LSF coefficients in LSF Interpolator 38

and the interpolated values so obtained are passed to a LSF-LPC Transformer 39

where the corresponding LPC coefficients are generated.

In order to enhance speech quality it has been customary, hitherto, to perform post¬

processing on the synthesised output speech signal to reduce the effect of noise in the

valleys of the LPC frequency spectrum, where the LPC model of speech is relatively

poor. This can be accomplished using suitable filters; however, such filtering induces

some spectral tilt which muffles the final output signal and so reduces speech quality.

In this embodiment, a different technique is used; more specifically, instead of

processing the output of the LPC synthesis filter 34, as has been done in the past, the

technique used in this embodiment relies on weighting the spectral amplitudes

generated at the output of decoder block 33. The weighting factor Q(kω₀) applied to

the k^th spectral amplitude is derived from the LPC spectrum P(ω) described earlier.

LPC spectrum P(ω) is peak-interpolated to generate a peak-interpolated spectrum

H(ω), and the weighting function Q(ω) is given by the ratio of P(ω) and H(ω), raised to the power λ; that is:

P ( ω )

0 ( ω ) H ( ω)

where λ is in the range from 0.00 to 1.0 and is preferably 0.35.

The functions P(ω) and H(ω) are shown in Figure 9 along with the perceptually-

enhanced LPC spectrum given by Q(ω)P(ω).

As can be seen from this Figure, the effect of the weighting function Q(ω) is to reduce

the value of the LPC spectrum in the valley regions between peaks, and so reduce the

noise in these regions. When the appropriate weights Q(kω₀) are applied to the

dequantised spectral amplitudes amp(k) in perceptual weighting block 40 their effect

is to improve the quality of the output speech signal, as though it had been subjected

to post-processing, but without causing spectral tilt and the associated muffling

associated with the post-processing technique used in the past.

Since the output of the LPC synthesis filter 34 can fluctuate in energy, the output is

preferably controlled. This is done in two stages, using the optional circuit shown in

broken outline in Figure 7. In the first stage, the actual pitch cycle energy is computed

in block 41 and this energy is compared with the desired interpolated pitch cycle

energy in a ratioing circuit 42 to generate a ratio value. The corresponding pitch cycle of the excitation signal E_x is then multiplied by this ratio value in multiplier 43 to

reduce a difference between the compared energies and then passed to a further LPC

synthesis filter 44 which synthesises the smoothed output speech signal.

Claims

1. A speech coder including an encoder for encoding an input speech signal

divided into frames each consisting of a predetermined number of digital samples, the

encoder including:-

linear predictive coding (LPC) means for analysing samples and

generating at least one set of linear prediction coefficients for each frame;

pitch determination means for determining at least one value of pitch

for each frame, the pitch determination means including first estimation means for

analysing samples using a frequency domain technique (frequency domain analysis),

second estimation means for analysing samples using a time domain technique (time

domain analysis) and pitch evaluation means for using the results of said frequency

domain and time domain analyses to derive a said value of pitch;

voicing means for defining a measure of voiced and unvoiced signals

in each frame,

amplitude determination means for generating amplitude

information for each frame,

and quantisation means for quantising said set of linear prediction

coefficients, said value of pitch, said measure of voiced and unvoiced signals and said

amplitude information to generate a set of quantisation indices for each frame,

wherein said first estimation means generates a first measure of pitch for each of a

number of candidate pitch values, the second estimation means generates a respective second measure of pitch for each of said candidate pitch values and said evaluation

means combines each of at least some of the first measures with the corresponding

said second measure and selects one of the candidate pitch values by reference to the

resultant combinations.

2. A speech coder as claimed in claim 1, wherein said evaluation means form

said combinations by forming a ratio from each said first measure and the

corresponding second measure and selects said one candidate pitch value by reference

to the ratios so formed.

3. A speech coder as claimed in claim 1 or claim 2, wherein the evaluation

means compares each said candidate pitch value with a tracked pitch value derived

from one or more earlier frames and weights the corresponding said first and second

measures by respective amounts in dependence on the comparison before said

measures are combined.

4. A speech coder as claimed in claim 3 wherein the amounts of the weighting

depend also on the level of background noise in the current frame.

5. A speech coder as claimed in any one of claims 1 to 4 wherein said first

estimation means generates a first frequency spectrum for each frame, identifies peaks

in the first frequency spectrum, subjects the first frequency spectrum to a smoothing process to generate a smoothed frequency spectrum and for each candidate pitch value

correlates peaks identified in said first frequency spectrum with amplitudes at different

harmonic frequencies (kω₀) in the smoothed frequency spectrum to generate a

respective said first measure of the pitch value, where ω₀ = — , P is the candidate

pitch value and k is an integer.

6. A speech coder as claimed in claim 5 wherein prior to identification of said

peaks, magnitude values forming said first frequency spectrum are compared with a

RMS value for the spectrum and are weighted in dependence on the comparison

whereby to de-emphasise a peak having a magnitude greater than said RMS value.

7. A speech coder as claimed in claim 6 wherein said magnitude values are

further weighted by a factor which increases as a function of decreasing frequency.

8. A speech coder as claimed in claim 7 wherein the magnitudes of said first

frequency spectrum are adjusted to take account of background noise in the current

frame.

9. A speech coder as claimed in any one of claims 5 to 8 wherein prior to

correlation, the magnitude of each peak identified in the first frequency spectrum is

compared with the corresponding magnitude in the smoothed frequency spectrum and

is either discarded or retained in dependence on the comparison.

10. A speech coder as claimed in any one of claims 1 to 9 wherein said first

estimation means selects a single candidate pitch value for each of a preset number of

frequency bands, and said second estimation means generate a said second measure

of pitch for each of the candidate pitch values selected by the first estimation means.

1 1. A speech coder as claimed in any one of claims 1 to 10 wherein said

selected candidate pitch value provides an estimate of said value of pitch and the said

evaluation means includes pitch refinement means for determining the value of pitch

from the estimate.

12. A speech coder as claimed in claim 1 1 , wherein the pitch refinement means

defines a set of further candidate pitch values including fractional values distributed

about said estimate, generates a further frequency spectrum for the frame, identifies

peaks in the further frequency spectrum, subjects said further frequency spectrum to

a smoothing process to generate a further smoothed frquency spectrum, for each

further candidate pitch value correlates peaks identified in the further frequency

spectrum with amplitudes at different harmonic frequencies (kω₀) in the smoothed

frequency spectrum, wherein ω₀ = — , P is a said further candidate pitch value and

k is an integer, and selects as the value of pitch for the frame the further candidate

pitch value giving the maximum correlation.

13. A speech coder as claimed in claims 1 to 12 wherein said pitch determination means determines a first value of pitch for a leading part of each frame

and a second value of pitch for a trailing part of each frame, and said quantisation

means quantises both said values of pitch.

14. A speech coder as claimed in any one of claims 1 to 13 wherein said

voicing means determines for each frame at least one voicing cut-off frequency for

separating a frequency spectrum from the frame into a voiced part and an unvoiced

part, and wherein said amplitude determination means generates spectral amplitudes

for each frame in response to a said voicing cut-off frequency and a said value of pitch

determined by the voicing means and the pitch determination means respectively.

15. A speech coder as claimed in claim 14, wherein for each frame said voicing

means performs the following steps:

(i) derives a voicing measure for each frequency band harmonically

related to a said pitch value determined by the determination means,

(ii) compares the voicing measure for each harmonic frequency band

with a threshold value to generate a comparison value which may be a positive value

or a negative value,

(iii) biasses each comparison value by an amount which reverses the sign

of the comparison value if the corresponding harmonic frequency band lies above a

trial cut-off frequency.

(iv) sums the biassed comparison values over several harmonic frequency bands in the frame,

(v) repeats steps (i) to (iv) above for a plurality of different trial cut-off

frequencies, and

(vi) selects as a voicing cut-off frequency for the frame the trial cut-off

frequency giving the maximum summation.

16. A speech coder as claimed in claim 15, wherein said voicing measure is

formed by correlating the shape of said harmonic frequency band with a reference

shape for the band.

17. A speech coder as claimed in claim 16 including means for applying a

window function to the input speech signal and deriving from the windowed input

speech signal said frequency spectrum containing said harmonic frequency bands, and

wherein said reference shape is derived from said window function.

18. A speech coder as claimed in any one of claims 14 to 17 wherein said

voicing means determines a first said voicing cut-off frequency for a leading part of

each frame and a second said voicing cut-off frequency for a trailing part of each

frame.

19. A speech coder as claimed in any one of claims 1 to 18 wherein said

amplitude determination means generates, for each frame, a set of spectral amplitudes for different frequency bands centred on frequencies harmonically related to a said

value of pitch determined by the pitch determination means, and said quantisation

means quantises the spectral amplitudes to generate a first part of an amplitude

quantisation index.

20. A speech coder including an encoder for encoding an input speech signal,

the encoder comprising means for sampling the input speech signal to produce digital

samples and for dividing the samples into frames each consisting of a predetermined

number of samples,

linear predictive coding (LPC) means for analysing samples and

generating at least one set of linear prediction coefficients for each frame,

pitch determination means for determining at least one value of pitch

for each frame,

voicing means for defining a measure of voiced and unvoiced signals

in each frame,

amplitude determination means for generating amplitude information

for each frame, and

quantisation means for quantising said set of linear prediction

coefficients, said value of pitch, said measure of voiced and unvoiced signals and said

amplitude information to generate a set of quantisation indices for each frame,

wherein said pitch determination means includes pitch estimation

means for determining an estimate of the value of pitch and pitch refinement means for deriving the value of pitch from the estimate, the pitch refinement means defining

a set of candidate pitch values including fractional values distributed about said

estimate of the value of pitch determined by the pitch estimation means,

identifying peaks in a frequency spectrum of the frame,

for each said candidate pitch value correlating said peaks with

amplitudes at different harmonic frequencies (kω₀) of a frequency spectrum of the

frame, where ω_o = — , P is a said candidate pitch value and k is an integer, and

selecting as a said value of pitch for the frame the candidate pitch value giving the

maximum correlation.

21. A speech coder as claimed in claim 20 wherein said pitch estimation means

includes first estimation means for analysing samples using a frequency domain

technique (frequency domain analysis), second estimation means for analysing

samples using a time domain technique (time domain analysis) and means for deriving

said estimate of the value of pitch from the results of said time and frequency domain

analyses.

22. A speech coder as claimed in claim 20 or claim 21 wherein the pitch

refinement means correlates the amplitudes of said peaks with amplitudes at harmonic

frequencies (kω₀) of an exponentially decaying envelope of the frequency spectrum

in which the peaks were identified.

23. A speech coder as claimed in any one of claims 20 to 22 wherein said

voicing means determines for each frame at least one voicing cut-off frequency for

separating a frequency spectrum from the frame into a voiced part and an unvoiced

part, and wherein said amplitude determination means generates spectral amplitudes

in response to said voicing cut-off frequency and said value of pitch determined by the

voicing means and the pitch determination means respectively.

24. A speech coder as claimed in claim 23, wherein for each frame said voicing

means performs the following steps:

(i) derives a voicing measure for each frequency band harmonically

related to said pitch value determined by the pitch determination means,

(ii) compares the voicing measure for each harmonic frequency band

with a threshold value to generate a comparison value which may be a positive value

or a negative value,

(iii) biasses each comparison value by an amount which reverses the sign

of the comparison value if the corresponding harmonic frequency band lies above a

trial cut-off frequency.

(iv) sums the biassed comparison values over several harmonic

frequency bands in the frame,

(v) repeats steps (i) to (iv) above for a plurality of different trial cut-off

frequencies, and

(vi) selects as a voicing cut-off frequency for the frame the trial cut-off frequency giving the maximum summation.

25. A speech coder as claimed in claim 24 wherein said voicing measure is

formed by correlating the shape of said harmonic frequency band with a reference

shape for the band.

26. A speech coder as claimed in claim 25 including means for applying a

window function to the input speech signal and deriving from the windowed input

speech signal a frequency spectrum containing said harmonic frequency bands, and

wherein said reference shape is derived from said window function.

27. A speech coder as claimed in any one of claims 20 to 26 wherein said

amplitude determination means generates, for each frame, a set of spectral amplitudes

for different frequency bands centred on frequencies harmonically related to a value

of pitch determined by the pitch determination means and said quantisation means

quantises the spectral amplitudes to generate a first part of an amplitude quantisation

index.

28. A speech coder as claimed in any one of claims 20 to 27 wherein said pitch

determination means determines a first value of pitch for a leading part of each frame

and a second value of pitch for a trailing part of each frame, and said quantisation

means quantises both said values of pitch.

29. A speech coder as claimed in any one of claims 23 to 26 wherein said

voicing means generates a first said voicing cut-off frequency for a leading part of

each frame and a second said voicing cut-off frequency for a trailing part of each

frame.

30. A speech coder including an encoder for encoding an input speech signal,

the encoder comprising

means for sampling the input speech signal to produce digital

samples and for dividing the samples into frames, each consisting of a predetermined

number of samples,

linear predictive coding (LPC) means for analysing samples and

generating at least one set of linear prediction coefficients for each frame,

pitch determination means for determining at least one value of pitch

for each frame,

voicing means for determining for each frame a voicing cut-off

frequency for separating a frequency spectrum from the frame into a voiced part and

an unvoiced part without evaluating the voiced/unvoiced status of individual harmonic

frequency bands,

amplitude determination means for generating amplitude information

for each frame, and

quantisation means for quantising said set of coefficients, said value

of pitch, said voicing cut-off frequency and said amplitude information to generate a set of quantisation indices for each frame.

31. A speech coder as claimed in claim 30, wherein for each frame said voicing

means performs the following steps:

(i) derives a voicing measure for each frequency band harmonically

related to said pitch value determined by the pitch determination means,

(ii) compares the voicing measure for each harmonic frequency band

with a threshold value to generate a comparison value which may be a positive

value or a negative value,

(iii) biasses each comparison value by an amount which reverses the sign

of the comparison value if the corresponding harmonic frequency band lies above

a trial cut-off frequency,

(iv) sums the biassed comparison values over several harmonic

frequency bands in the frame,

(v) repeats steps (i) to (iv) above for a plurality of different trial cut-off

frequencies, and

(vi) selects as a voicing cut-off frequency for the frame the trial cut-off

frequency giving the maximum summation.

32. A speech coder as claimed in claim 31 wherein said voicing measure is

formed by correlating the shape of each harmonic frequency band with a reference

shape for the band.

33. A speech coder as claimed in claim 32 including means for applying a

window function to the input speech signal and deriving from the windowed input

speech signal a frequency spectrum containing said harmonic frequency bands, and

wherein said reference shape is derived from said window function.

34. A speech coder as claimed in any one of claims 30 to 33 wherein said

voicing means determines a first voicing cut-off frequency for a leading part of each

frame and a second voicing cut-off frequency for a trailing part of each frame, and

said quantisation means quantises both said values of voicing cut-off frequency.

35. A speech coder as claimed in any one of claims 15,24 and 31 wherein said

threshold value is dependent on the level of a background component in the input

speech signal.

36. A speech coder as claimed in claim 35 wherein said voicing means

evaluates an estimate of said threshold value in dependence on said level of a

background component, modifies the estimate according to the value of one or more

of E-lf/E-hf, T₂/T,, ZC or ER as hereinbefore defined and further modifies the

estimate according to the value of one or more of PKY1 ,PKY2, CM and E-OR as

hereinbefore defined.

37. A speech coder including an encoder for encoding an input speech signal, the encoder comprising,

means for sampling the input speech signal to produce digital

samples and for dividing the samples into frames each consisting of a predetermined

number of samples,

linear predictive coding (LPC) means for analysing samples and

generating at least one set of linear prediction coefficients for each frame,

pitch determination means for determining at least one value of pitch

for each frame,

voicing means for defining a measure of voiced and unvoiced signals

in each frame,

amplitude determination means for generating amplitude information

for each frame, and

quantisation means for quantising said set of prediction coefficients,

said value of pitch, said measure of voiced and unvoiced signals and said amplitude

information to generate a set of quantisation indices for each frame,

wherein the amplitude determination means generates, for each

frame, a set of spectral amplitudes for frequency bands centred on frequencies

harmonically related to the value of pitch determined by the pitch determination

means, and

the quantisation means quantises the normalised spectral amplitudes

to generate a first part of an amplitude quantisation index.

38. A speech coder as claimed in claim 37, wherein the spectral amplitudes for

each frame are derived from an LPC residual signal for the frame.

39. A speech coder as claimed in claim 37, wherein the spectral amplitudes for

each frame are quantised by reference to an LPC frequency spectrum derived from

prediction coefficients for the frame.

40. A speech coder including an encoder for encoding an input speech signal,

the encoder comprising

means for sampling the input speech signal to produce digital

samples and for dividing the samples into frames each consisting of a predetermined

number of samples,

linear predictive coding means for analysing samples to generate a

respective set of Line Spectral Frequency (LSF) coefficients for a leading part and for

a trailing part of each frame,

pitch determination means for determining at least one value of pitch

for each frame,

voicing means for defining a measure of voiced and unvoiced signals

in each frame,

amplitude determination means for generating amplitude information

for each frame, and

quantisation means for quantising said sets of LSF coefficients, said value of pitch, said measure of voiced and unvoiced signals and said amplitude

information to generate a set of quantisation indices, wherein said quantisation means

defines a set of quantised LSF coefficients (LSF'2) for the leading part of the current

frame by the expression

LSF'2 = LSF'l + (1-α) LSF'3,

where LSF'3 and LSF'l are respectively sets of quantised LSF

coefficients for the trailing parts of the current frame and the frame immediately

preceding the current frame, and α is a vector in a first vector quantisation codebook,

defines each said set of quantised LSF coefficients LSF'2,LSF'3 for

the leading and trailing parts respectively of the current frame as a combination of

respective LSF quantisation vectors Q2,Q3 of a second vector quantisation codebook

and respective prediction values P2,P3, where P2=λQl and P3=λQ2, λ is a constant

and Ql is a said LSF quantisation vector for the trailing part of said immediately

preceding frame, and

selects said vector Q3 and said vector from the first and second

vector quantisation codebooks respectively to minimise a measure of distortion

between the LSF coefficients generated by the linear predictive coding means (LSF2,

LSF3) for the current frame and the corresponding quantised LSF coefficients (LSF'2,

LSF'3).

41. A speech coder as claimed in claim 40 wherein said second vector

quantisation codebook contains at least two groups of said vectors with reference to which respective groups of LSF coefficients in a set are quantised.

42. A speech coder as claimed in claim 40 or claim 41 wherein said measure

of distortion is a error function e given by

€ = W, (LSF'3 - LSF3)² + W₂ (LSF'2 - LSF2)²,

where W, and W₂ are perceptual weights.

43. A speech coder as claimed in any one of claims 1 to 42 further including

a decoder, comprising means for decoding the quantisation indices generated by a said

encoder and means for processing the decoded quantisation indices to generate a

sequence of digital signals representing the input speech signal.

44. A speech coder as claimed in any one of claims 37 to 39 including a

decoder comprising means for decoding the quantisation indices generated by a said

encoder and processing means for processing the decoded quantisation indices to

generate a sequence of digital samples representing the input speech signal, wherein

the processing means includes means for weighting the decoded spectral amplitudes

derived from said first part of the amplitude quantisation index by weighting factors

derived from the ratio of an LPC frequency spectrum derived from the decoded

prediction coefficients and a corresponding peak-interpolated LPC frequency

spectrum.

45. A speech coder for decoding a set of quantisation indices representing LSF

coefficients, pitch value, a measure of voiced and unvoiced signals and amplitude

information, including processor means for deriving an excitation signal from said

indices representing pitch value, measure of voiced and unvoiced signals and

amplitude information, a LPC synthesis filter for filtering the excitation signal in

response to said LSF coefficients, means for comparing pitch cycle energy at the LPC

synthesis filter output with corresponding pitch cycle energy in the excitation signal,

means for modifying the excitation signal to reduce a difference between the

compared pitch cycle energies and a further LPC synthesis filter for filtering the

modified excitation signal.