EP4134945A1 - Plaque pour un instrument à tirette, âme pour un instrument à tirette, ainsi que instrument à tirette - Google Patents
Plaque pour un instrument à tirette, âme pour un instrument à tirette, ainsi que instrument à tirette Download PDFInfo
- Publication number
- EP4134945A1 EP4134945A1 EP21190420.6A EP21190420A EP4134945A1 EP 4134945 A1 EP4134945 A1 EP 4134945A1 EP 21190420 A EP21190420 A EP 21190420A EP 4134945 A1 EP4134945 A1 EP 4134945A1
- Authority
- EP
- European Patent Office
- Prior art keywords
- reed
- area
- plate
- reed plate
- instrument
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Granted
Links
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Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D11/00—Accordions, concertinas or the like; Keyboards therefor
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D11/00—Accordions, concertinas or the like; Keyboards therefor
- G10D11/02—Actions
Definitions
- the invention relates to a reed plate for a reed instrument, a sound post for a reed instrument and a reed instrument.
- a reed instrument such as an accordion, typically has a reed block on which several reed plates are mounted.
- a reed plate usually has two elongated openings. Each opening is associated with an elongate reed, which has a widened end area at one of its two longitudinal ends for attachment to the reed plate. The opposite longitudinal end of the reed is not further fixed.
- the reed can be made to vibrate in such a way that it partially vibrates into the associated opening. When air flows through the opening, in particular due to a movement of a bellows of the reed instrument, such a vibration can be generated and an audible sound is produced in this way.
- the reeds are usually attached to the reed plate with a rivet.
- a reed plate for a reed instrument is known from the prior art, which consists of an aluminum alloy and a reed that consists of spring steel.
- a reed plate for a reed instrument wherein at least one reed is attached to the reed plate, and wherein the reed plate and the reed each comprise a carbon fiber composite material.
- the reed plate and/or the reed can be formed from the carbon fiber composite material.
- the choice of material for the reed and the reed plate specified in this way means that when the temperature changes, the dimensions of the reed and also the reed plate change less than is the case with the prior art outlined above. In this way, improved pitch stability or frequency stability can be achieved for the vibration of the reed. This effect is based in particular on the fact that the dimensions of a component made of carbon fiber composite material change significantly less when the temperature changes than the dimensions of a corresponding part made of spring steel or aluminum.
- a tone with a particularly advantageous overtone behavior from a musical point of view can be generated by the material selection mentioned.
- tones that are particularly rich in overtones can be generated.
- Such tones are usually perceived by a listener as particularly pleasant.
- the third overtone i.e. the tone two octaves above the fundamental tone
- Noise between the overtones is practically imperceptible.
- carbon fiber composite material has a lower mass than aluminum or steel.
- the choice of material allows the weight of the reed and the reed plate to be reduced by more than 50%, which can have a significant impact on the overall weight of the instrument due to the considerable number of reed plates and reeds in a conventional reed instrument.
- the free end of the reed is usually slightly bent away from the reed plate. In this way, a so-called release gap is formed, which is important for the generation of the vibration through a corresponding air flow, i.e. for the "response" of the reed.
- this is problematic as such when the reed is formed of carbon fiber composite material, because this material is practically inflexible. Therefore, it is advantageous if the reed plate is shaped in a surrounding area of the free end of the reed such that a suitable release gap is formed even in the case of a reed made of carbon fiber composite material, more generally also in the case of a reed that only extends in one plane.
- the reed plate preferably has a planar support area extending in one plane for connection to the reed, and an opening to enable the reed to vibrate, the opening extending from the support area along a longitudinal axis to an area opposite the support area Edge region of the opening extends.
- the reed plate is shaped in such a way that a distance is formed between the plane and the edge area in the direction perpendicular to the plane.
- the opposite edge area of the opening preferably extends transversely, in particular perpendicularly, to the longitudinal axis.
- the distance formed in this way is advantageously chosen as a function of the desired pitch of the sound that is to be produced by the vibration of the reed.
- the distance can also be selected depending on the stiffness of the reed. A lower stiffness of the reed is advantageous with regard to the response behavior of the reed, a higher stiffness generally makes the response more difficult, but is advantageous with regard to the tuning or frequency stability and also with regard to the achievable volume.
- the distance is therefore preferably at most 1.5 mm, particularly preferably at most 1.3 mm, for example at most 1.0 mm. Furthermore, the distance is preferably at least 0.05 mm, particularly preferably at least 0.1 mm, for example at least 0.3 mm.
- a production-technically simple possibility for the formation of the Lös gap is given when a reed-facing surface of the reed plate to form the Distance has a recess and / or a curvature and / or a slope.
- the curvature can be a convex curvature, for example.
- a particularly good response of the reed can be made possible if the said recess, curvature or slope of the surface of the reed plate is formed within the last third of the opening, i.e. in the area of that third of the opening that borders on the edge area opposite the bearing area.
- the reed is connected to the reed plate by a riveted joint.
- the reed typically has a broadened end area which is in planar contact with a corresponding support area of the reed plate.
- the widened end area of the reed also vibrates to a certain extent. This has a disadvantageous effect because this can lead to deviations from the desired target frequency.
- Corresponding tests have shown, for example, that a reed with a target frequency of 448 Hz can in practice vibrate at a frequency of 393 Hz due to the quasi "punctiform" riveted connection.
- the reed preferably has a first area and a second area, the first area of the reed being screwed to the reed plate and the second area extending parallel to the longitudinal axis.
- the screw connection advantageously allows the reed to be fixed to the reed plate over a particularly large area. If the entire widened end area of the reed is fixed to the reed plate, this is particularly advantageous with regard to achieving a desired target frequency.
- a correspondingly advantageous large-area connection of the end area of the reed with the contact area of the reed plate can alternatively be achieved, for example, by soldering, gluing or large-area riveting.
- the first area of the reed is connected, in particular screwed, to the reed plate in such a way that the first area of the reed contacts the contact area of the reed plate over a large area.
- the first area of the reed has a width measured transversely to the longitudinal axis and the first area of the reed over at least 50%, preferably over at least 70%, particularly preferably over at least 90% of the width at the reed plate is pressed.
- the reed plate and the reed are particularly preferably made of the same material.
- At least two reeds are preferably attached to the reed plate. This is advantageous because two separate reeds are typically provided for each note of a reed instrument, one for tension and one for compressed air.
- a sound post for a hand-pulled instrument is provided.
- Several reed plates according to the invention are attached to the reed block.
- the sound post preferably has a carbon fiber composite material.
- the pin block can consist of a carbon fiber composite material.
- the reeds, the reed plates and the reed block are particularly preferably made of the same material.
- a reed instrument in particular an accordion, with a plurality of reed plates according to the application and/or with a reed block according to the application is provided.
- tones with different sound qualities can be produced with reeds made of different materials.
- a sound post with reeds made of steel and with further reeds made of carbon fiber composite material can be provided.
- the possibility of being able to produce tones with different sound qualities is fundamentally desirable for a hand-pulled instrument.
- a cassotto also ensures that the sound becomes warmer when using a sound post in the cassotto.
- the carbon fiber composite material can be carbon, for example.
- the reed post is made of plastic or wood, this is advantageous in terms of manufacturing costs.
- a particularly large variety of sounds can be achieved in this way. This applies to the hand-held instrument or accordion as such, but also to the variety of sounds between different accordion models.
- a personalized variety of sounds can be achieved depending on the taste of a musician.
- FIG. 1 shows a schematic perspective sketch of a reed plate 2 according to the invention for a hand-pulled instrument.
- the hand-pulled instrument can be an accordion, for example.
- the reed plate 2 preferably comprises carbon fiber composite material.
- the carbon fiber composite material can be carbon, for example.
- the reed plate 2 can be formed from the carbon fiber composite material.
- the reed 4 preferably also has carbon fiber composite material.
- the carbon fiber composite material can in turn be carbon, for example.
- the reed 4 can be formed from the carbon fiber composite material.
- the reed plate 2 and the reed 4 consist of the same material.
- the reed plate 2 shows a corresponding sketch of the reed plate 2 without the reed, 3 a sketch of a corresponding top view of the reed plate 2.
- 4 shows a sketch of a corresponding side view of the reed plate 2 with reed 4 .
- the reed plate 2 has an opening 24 to enable the reed 4 to vibrate.
- the shape of the opening 24 is preferably matched to the shape of the reed 4 . Viewed in a section parallel to the plane E, the opening 24 has in particular a rectangular cross-section.
- the reed 4 connected to the reed plate 2 can be made to vibrate by an air flow through the opening 24, as can be generated in particular by a movement of a bellows of a reed instrument equipped with the reed plate 2, so that a tone is generated becomes.
- the opening 24 of the reed plate 2 preferably extends directly from the bearing area 22 along a longitudinal axis L to an edge area 26 of the opening lying opposite the bearing area 22 .
- the edge region 26 is in particular rectilinear and perpendicular to the longitudinal axis L.
- the reed 4 has an overall flat design and extends in a plane parallel to the E plane.
- the reed 4 has, for example, from 3 to see a first area 42 and a second area 44 on.
- the second area 44 preferably extends longitudinally, starting from the first area 42, parallel to the longitudinal axis L to an opposite edge area 46 of the reed 4.
- the first area 42 of the reed 4 can be essentially rectangular in shape and the second area 44 can also be essentially rectangular in shape. However, the first area 42 is preferably widened compared to the second area 44 measured transversely to the longitudinal axis L (cf. 1 and 3 ). In particular, the first area 42, as in 3 outlined, a first width b1 measured transversely to the longitudinal axis L and the second region 44 of the reed 4 has a second width b2 measured transversely to the longitudinal axis L, which is smaller than the first width b1.
- the second area 44 of the reed 4 can extend further along the longitudinal axis L than the first area 42.
- the second area 44 has a length ⁇ measured along the longitudinal axis L, which depends in particular on the desired target frequency, the modulus of elasticity and the density is chosen.
- the first area 42 of the reed 4 is connected to the reed plate 2, in particular screwed or glued or connected to the reed plate 2 via a soldered connection.
- the first area 42 is connected to the reed plate 2 in such a way that it contacts the contact area 22 of the reed plate 22 over a large area.
- the first area 42 is advantageously pressed over at least 50%, preferably over at least 70% and particularly preferably over at least 90% of its width b1 against the reed plate 2 or the contact area 22 of the reed plate 2 .
- the reed plate 2 is shaped in such a way that - as in 4 outlined - in the direction perpendicular to the plane E between the plane E and the edge region 26, a distance ⁇ is formed.
- This distance ⁇ corresponds at least essentially to what is known as the “release gap” which is formed between the edge area 46 of the reed 4 and the edge area 26 of the opening 24 .
- the size of the distance ⁇ has an influence in particular on the response of the reed 4 to air flowing through the opening 24, ie on the time between the start of the air flow and the formation of the audible tone.
- a surface 28 of the reed plate 2 pointing towards the reed 4 has a convex curvature and/or a bevel 29 .
- the surface 28 is provided with a bevel 29 which adjoins the planar area of the surface 28 directly via an edge.
- the distance ⁇ or the size of the release gap is preferably selected in particular as a function of the desired desired frequency and the stiffness of the reed 4.
- the distance ⁇ is preferably a maximum of 1.5 mm, particularly preferably a maximum 1.3 mm, for example a maximum of 1.0 mm.
- the distance ⁇ is preferably at least 0.05 mm, particularly preferably at least 0.1 mm, for example at least 0.3 mm.
- the reed plate can have more than one opening.
- a reed plate can be provided with two openings, each opening being provided for a respective reed.
- the reed plate is preferably connected to two reeds, the design of these reeds and their connections to the reed plate being designed in the sense of the above description.
- FIG 5 shows a schematic representation of a reed block 6 according to the invention.
- the reed block 6 has several reed plates 2, 2' according to the invention.
- the reed plates 2, 2' are preferably connected to the reed block 6 with a wax 8. Screws 10 can also be seen here, with which the reeds 4 are fixed flat to the reed plates 2, 2'.
Landscapes
- Physics & Mathematics (AREA)
- Engineering & Computer Science (AREA)
- Acoustics & Sound (AREA)
- Multimedia (AREA)
- Stringed Musical Instruments (AREA)
- Auxiliary Devices For Music (AREA)
Priority Applications (4)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| RS20231254A RS65098B1 (sr) | 2021-08-09 | 2021-08-09 | Sklop nosača tanke pločice za noseći muzički instrument, sklop zvučnog stuba kao ručnog nosećeg muzičkog instrumenta, kao i ručni noseći muzički instrument |
| HRP20231574TT HRP20231574T1 (hr) | 2021-08-09 | 2021-08-09 | Sklop ploče s jezičcima, namijenjen glazbalu s ručnim razvlačenjem, sklop zvučnih štapića, namijenjen glazbalu s ručnim razvlačenjem kao i glazbalo s ručnim razvlačenjem |
| EP21190420.6A EP4134945B1 (fr) | 2021-08-09 | 2021-08-09 | Arrangement d'une plaque pour un instrument à tirette, arrangement d'une âme pour un instrument à tirette, ainsi que instrument à tirette |
| US17/882,732 US11942063B2 (en) | 2021-08-09 | 2022-08-08 | Reed plate for a hand-pulled instrument, sound post for a hand-pulled instrument, as well as hand-pulled instrument |
Applications Claiming Priority (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| EP21190420.6A EP4134945B1 (fr) | 2021-08-09 | 2021-08-09 | Arrangement d'une plaque pour un instrument à tirette, arrangement d'une âme pour un instrument à tirette, ainsi que instrument à tirette |
Publications (2)
| Publication Number | Publication Date |
|---|---|
| EP4134945A1 true EP4134945A1 (fr) | 2023-02-15 |
| EP4134945B1 EP4134945B1 (fr) | 2023-09-27 |
Family
ID=77265021
Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| EP21190420.6A Active EP4134945B1 (fr) | 2021-08-09 | 2021-08-09 | Arrangement d'une plaque pour un instrument à tirette, arrangement d'une âme pour un instrument à tirette, ainsi que instrument à tirette |
Country Status (4)
| Country | Link |
|---|---|
| US (1) | US11942063B2 (fr) |
| EP (1) | EP4134945B1 (fr) |
| HR (1) | HRP20231574T1 (fr) |
| RS (1) | RS65098B1 (fr) |
Families Citing this family (1)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| RS65098B1 (sr) * | 2021-08-09 | 2024-02-29 | Carboneon Gmbh | Sklop nosača tanke pločice za noseći muzički instrument, sklop zvučnog stuba kao ručnog nosećeg muzičkog instrumenta, kao i ručni noseći muzički instrument |
Citations (2)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| WO1986004443A1 (fr) * | 1985-01-18 | 1986-07-31 | Marcel Pelletier | Dispositif pour ameliorer le son et le poids des accordeons |
| EP3855424A1 (fr) * | 2019-01-18 | 2021-07-28 | Carboneon GmbH | Instrument à tirette |
Family Cites Families (6)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US2640384A (en) * | 1953-06-02 | Vibratory reed musical instrument | ||
| US2276884A (en) * | 1939-10-19 | 1942-03-17 | Scott Howard | Reed structure |
| EP0774582B1 (fr) * | 1995-11-14 | 2000-01-26 | Sanden Corporation | Dispositif de clapet de refoulement d'un appareil de déplacement de fluide |
| AT521201B1 (de) * | 2018-04-06 | 2020-11-15 | Pollak Johann | Ziehharmonika |
| DE102018128326A1 (de) * | 2018-11-13 | 2020-05-14 | André LeGuin | Verfahren zum Bearbeiten von Stimmzungen |
| RS65098B1 (sr) * | 2021-08-09 | 2024-02-29 | Carboneon Gmbh | Sklop nosača tanke pločice za noseći muzički instrument, sklop zvučnog stuba kao ručnog nosećeg muzičkog instrumenta, kao i ručni noseći muzički instrument |
-
2021
- 2021-08-09 RS RS20231254A patent/RS65098B1/sr unknown
- 2021-08-09 HR HRP20231574TT patent/HRP20231574T1/hr unknown
- 2021-08-09 EP EP21190420.6A patent/EP4134945B1/fr active Active
-
2022
- 2022-08-08 US US17/882,732 patent/US11942063B2/en active Active
Patent Citations (2)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| WO1986004443A1 (fr) * | 1985-01-18 | 1986-07-31 | Marcel Pelletier | Dispositif pour ameliorer le son et le poids des accordeons |
| EP3855424A1 (fr) * | 2019-01-18 | 2021-07-28 | Carboneon GmbH | Instrument à tirette |
Also Published As
| Publication number | Publication date |
|---|---|
| US20230045670A1 (en) | 2023-02-09 |
| RS65098B1 (sr) | 2024-02-29 |
| EP4134945B1 (fr) | 2023-09-27 |
| US11942063B2 (en) | 2024-03-26 |
| HRP20231574T1 (hr) | 2024-03-15 |
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