US370582A - wig-and - Google Patents
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- US370582A US370582A US370582DA US370582A US 370582 A US370582 A US 370582A US 370582D A US370582D A US 370582DA US 370582 A US370582 A US 370582A
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- pedal
- strings
- buttons
- zither
- key
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- 210000003811 finger Anatomy 0.000 description 2
- 241000734220 Cotula coronopifolia Species 0.000 description 1
- 238000010276 construction Methods 0.000 description 1
- 239000002184 metal Substances 0.000 description 1
- 210000003813 thumb Anatomy 0.000 description 1
- 238000000772 tip-enhanced Raman spectroscopy Methods 0.000 description 1
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
Definitions
- TERS Pholo-Lflhugriphqr, Walhinglon, 11C.
- the object of my invention is to provide a new and improved zither onwhich the performer is enabled to produce harmonious sounds in chords of all characters by the use of pedals.
- the invention consists of a zither provided with an additional key-board having four or more frets for the pedal-strings, and of buttons which are covered with felt, one of said buttons being placed above each pedal-string near each fret and attached to arod connected with the pedals operated upon by the feet of the performer.
- Figure 1 is a perspective view showing my improved pedal-zither. of the same.
- Fig. 3 is a vertical cross-section of the same on line 00 m, Fig. 2.
- Fig. 4. is a longitudinal vertical section of the same on the line y 3 Fig. 2.
- Fig. 5 is a sectional plan view of the pedal-box on the line 2 5, Fig. 3.
- the zither comprised on its face the fingerstrings, usually five in number,and the accompanying strings, twenty or more in number, of which the former were operated upon with a metal ring attached to the thumb of the right hand of the performer, while the latter were played upon with the four remaining fingers of the same hand.
- the fingerstrings were supported above a key board provided with a number of frets and operated, according to the value of the tone to be produced, by the fingers of the left hand.
- a key-board which is mounted on a suitable stand, B
- the above-described arrangement on the face of the instrument is the same, with the addition of a key-board, a,provided with four or more frets, a, a, 0. and a, directly under the first nine accompanying or Fig. 2 is a plan view pedal strings, I), b, I2 I), If, If, I), If, and If.
- the finger-strings c are arranged in the usual manner over a keyboard, 0', provided with the regular number of frets c and the remaining stationary or bass strings (Z are an additional contra octave to extend the bass to the lowertoned passages of music, and are the same as in the common zither now in use. I prefer to have these strings (1 independent, so as to be enabled to play a certain harmony when the bass notes are not to be extended.
- buttons 0 when the buttons 0 are in their normal positions the pedal-strings have the full value of their respective tones; but when. one of the buttons O near the fret a is pressed down upon its string the tone of the latter is raised the value of a half-note, and when one of the buttons O near the fret a is pressed down upon its pedalstring the value of the tone of said pedal-string is raised one full note, and by pressing down a button 0 near the last fret, a the value of the tone of its respective pedal-string is raised a full note and a half-note, so that the performer is enabled to produce harmonious tones in chords of all characters by pressing the respective buttons upon the pedalstrings singly or in combinations corresponding to the chord to be produced.
- the ch romatic scale shown in Fig. 2 gives the value of each pedal-string for each of the frets a a a a. This pressing down of the buttons on the pedal-strings in different combinations is accomplished. by the device now to be described.
- the rodsD are guided by being passed through apertures in the cross-pieces E and E, attached to the stand 13.
- each rod D Above and below the cross-pieces E are stops F, one of which is attached to each rod D to limit the up-anddown movements of the rods D.
- a spring, G coiled around each rod D, rests with its lower end on the upper edge of the cross-piece E,while the upper end of each spring rests against a pin passing through the corresponding rod D.
- the lower end of each rod Dis connected with a cord, I-I,whieh is wound upon and secured at its end to a roller, I, mounted in standards J, attached to the under side of the crosspiece E.
- rollers I As it requires twelve of these rollers I to accommodate all the rods D, of which there are twenty-seven, the arrangement is such that three rollers I are placed in a horizontal plane corresponding to the cross'rows of the rods D, and four rollers I are placed in a vertical line, one below the other, as shown in Fig. 4, corresponding to the frets a a, and a".
- the cords H, attached to rods D, carrying the buttons near the fret a, and corresponding to the pedal-strings b, I), and b are wound upon the roller I.
- the cords H for the buttons Onear the fret a of the same strings are wound upon the roller I and the cords H for the buttons 0 near the fret a of the above-mentioned pedal-stringsare wound upon the roller I in a similar manner.
- the cords H for the buttons 0 corresponding with the pedalstrings I) and b are wound upon the rollers I", I, and 1, corresponding to the frets a", a and a.
- the cords H for the buttons 0 corresponding with the pedal-strings b and I) are wound upon the rollers I, I", and 1, corresponding to the frets a, a and a, and the corresponding cords H for the buttons 0 corresponding with the pedal-strings b and b are wound upon the rollers 1 1, and I, corresponding with the frets a a, and a" of the key-board a.
- Each of the rollers I is provided with a crank-arm, K, which is connected by a horizontal rod, K, provided with an adjustable nut, K, with the bell-crank lever K, pivoted to a suitable bracket attached to the stand B.
- Each bell-crank lever K is connected by a vertical rod, L, provided with an adjustable nut, L, with a short link, L, pivotally attached to its respective pedal N, pivoted to a rod, 1 secured to the pedal-box M, in the lower part of the stand B.
- Each of the pedals N is provided on its outer end with a foot-piece, O, projecting upward, and with felt stops 1, attached to the upper and lower sides of each pedal, so as to deaden the noise made by the pedals in their np-anddown. movement.
- the foot-pieces 0, O 0", 0, O and O are operated by the right foot, and the foot-pieces O, O, O, O, and O are operated upon by the left foot of the performer, and, as the foot-pieces O and O and the foot-pieces O and O are shorter than the foot-pieces surrounding them, the performer the key-board a, so that the value of the tone of the said pedal-strings is raised one-half tone.
- the corresponding rod D is pressed upward by its spring G, thus lifting the corresponding button 0 to its normal position.
- the different rollers I are turned in a similar manner by pressing on the corresponding foot-pieces N, so that when, for instance, the foot-piece O is pressed down with the right foot it turns the roller I and thereby presses the respective buttons 0 on the pedalstrings I) and b near the fret a whereby the tone of the pedalstrings b and I) is raised one full note.
- Two foot-pieces may be pressed down at the same time with one foot, so that when, for instance, the foot-pieces O" and O are pressed down by the left foot the rollers I and 1" are turned, thus pressing the respective buttons 0 upon the pedalstrings I) and 1)" near the fret a, and the pedal-strings b and If near the fret a.
- one or two footpieees O can be pressed down by either the right or the left foot, and three or four footpieces can be pressed down by the use of both feet. This enables the performer to produce any harmonious tone on the pedal-strings, as before described.
- connection between the vertical rods D, carrying the buttons 0, and the pedals N, provided with the foot-pieces 0, may be varied; but I prefer the construction shown and described.
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- Physics & Mathematics (AREA)
- Engineering & Computer Science (AREA)
- Acoustics & Sound (AREA)
- Multimedia (AREA)
- Stringed Musical Instruments (AREA)
Description
No Model.) 5 Sheets-Sheet 1..
P. WIGAND.
PEDAL ZITHER.
No. 370,582 Patented Sept.'27. 1887 .4
WITNESSES Q IENVENTOR I 45 BY M g ATTORNEYS.
N. KYERS Phmutbogw. Vlnhingion. D C.
5 Sheets-Sheet 2.
. (No Model.)
I. WIGAND.
PEDAL ZITHER.
.582. Patented se uzv, 1887.
IIWENTOR n. PETERS, mum-m, wummm n. c-
' WITNESSES- (KbM 5 Sheets-Sheet 3. F. WIGAND.
PEDAL ZITHER.
No. 370,582. Patented Se t. 27, 1887.
C wd- J ug M WITNESSES N. PETERS. Pholo-Lzthoglipherv Willlnflm D C.
'(No Model.) 5 Sheets-Sheet 4. F. WIGAND.
PEDAL ZITHER.
, No. 370,582. Patented Sept. 27, 1887.
WITNESSES; INVENTOR W v 8 BY MUM/w ATT0RNEYS.1
TERS, Pholo-Lflhugriphqr, Walhinglon, 11C.
' 5 She.etsSheet 5.
(No Model.)
F. WIGAND.
PEDAL ZITHER.
Patented Sept. 27, 1887.
WITNESSES INVEN TOR ATTORNEYS.
UNITED STATES PATENT Orricn...
FERDINAND \VIGAND, OF BROOKLYN, NE? YORK.
PEDAL-ZITH ER.
SPECIFICATION forming part of Letters Patent No. 370,582, dated September 27, 1887.
Application filed March :22, 1886. Serial No. 196,105 (No model.)
To aZZ whom it may concern:
Be it known that I, FERDINAND WIeANDpf the city of Brooklyn, in the county of Kings and State of New York, have invented anew and Improved Pedal-Zither, of which the following is a full, clear, and exact description.
The object of my invention is to provide a new and improved zither onwhich the performer is enabled to produce harmonious sounds in chords of all characters by the use of pedals.
The invention consists of a zither provided with an additional key-board having four or more frets for the pedal-strings, and of buttons which are covered with felt, one of said buttons being placed above each pedal-string near each fret and attached to arod connected with the pedals operated upon by the feet of the performer.
The invention also consists of various parts and details and combinations of the same, as will be fully described hereinafter, and then pointed. out in the claims.
Reference is to be had to the accompanying drawings, forming a part of this specification, in which similar letters of reference indicate corresponding parts in'all the figures.
Figure 1 is a perspective view showing my improved pedal-zither. of the same. Fig. 3 is a vertical cross-section of the same on line 00 m, Fig. 2. Fig. 4. is a longitudinal vertical section of the same on the line y 3 Fig. 2. Fig. 5 is a sectional plan view of the pedal-box on the line 2 5, Fig. 3.
Heretofore the zither comprised on its face the fingerstrings, usually five in number,and the accompanying strings, twenty or more in number, of which the former were operated upon with a metal ring attached to the thumb of the right hand of the performer, while the latter were played upon with the four remaining fingers of the same hand. The fingerstrings were supported above a key board provided with a number of frets and operated, according to the value of the tone to be produced, by the fingers of the left hand.
In my improved zither A,which is mounted on a suitable stand, B, the above-described arrangement on the face of the instrument is the same, with the addition of a key-board, a,provided with four or more frets, a, a, 0. and a, directly under the first nine accompanying or Fig. 2 is a plan view pedal strings, I), b, I2 I), If, If, I), If, and If. The finger-strings c are arranged in the usual manner over a keyboard, 0', provided with the regular number of frets c and the remaining stationary or bass strings (Z are an additional contra octave to extend the bass to the lowertoned passages of music, and are the same as in the common zither now in use. I prefer to have these strings (1 independent, so as to be enabled to play a certain harmony when the bass notes are not to be extended.
Over each pedal string, and near each of the three frets a a, and a", is placed a brass button, G 0, covered on its lower edge with felt, and attached by means of a set-screw to a vertical rod, D, in such a manner that the felt on the button 0 does not touch the respective pedal-string b b, due, when in its normal position; but when the button is pressed downward by the means hereinafter described the felt of the button 0 will come in contact with the corresponding pedalstring, b, and press the same down upon the nearest fret a a or a on the key-board a, thus changing the tone of the respective pedal-string.
It will be seen that when the buttons 0 are in their normal positions the pedal-strings have the full value of their respective tones; but when. one of the buttons O near the fret a is pressed down upon its string the tone of the latter is raised the value of a half-note, and when one of the buttons O near the fret a is pressed down upon its pedalstring the value of the tone of said pedal-string is raised one full note, and by pressing down a button 0 near the last fret, a the value of the tone of its respective pedal-string is raised a full note and a half-note, so that the performer is enabled to produce harmonious tones in chords of all characters by pressing the respective buttons upon the pedalstrings singly or in combinations corresponding to the chord to be produced. The ch romatic scale shown in Fig. 2 gives the value of each pedal-string for each of the frets a a a a. This pressing down of the buttons on the pedal-strings in different combinations is accomplished. by the device now to be described. The vertical rods D, to which the buttons 0 are attached, pass through apertures in the key-board a, and through apertures in the upper shell of the zither A without touching the said key-board or the shell.
The rodsD are guided by being passed through apertures in the cross-pieces E and E, attached to the stand 13.
Above and below the cross-pieces E are stops F, one of which is attached to each rod D to limit the up-anddown movements of the rods D. A spring, G, coiled around each rod D, rests with its lower end on the upper edge of the cross-piece E,while the upper end of each spring rests against a pin passing through the corresponding rod D. The lower end of each rod Dis connected with a cord, I-I,whieh is wound upon and secured at its end to a roller, I, mounted in standards J, attached to the under side of the crosspiece E. As it requires twelve of these rollers I to accommodate all the rods D, of which there are twenty-seven, the arrangement is such that three rollers I are placed in a horizontal plane corresponding to the cross'rows of the rods D, and four rollers I are placed in a vertical line, one below the other, as shown in Fig. 4, corresponding to the frets a a, and a". The cords H, attached to rods D, carrying the buttons near the fret a, and corresponding to the pedal-strings b, I), and b are wound upon the roller I. The cords H for the buttons Onear the fret a of the same strings are wound upon the roller I and the cords H for the buttons 0 near the fret a of the above-mentioned pedal-stringsare wound upon the roller I in a similar manner. The cords H for the buttons 0 corresponding with the pedalstrings I) and b are wound upon the rollers I", I, and 1, corresponding to the frets a", a and a. The cords H for the buttons 0 corresponding with the pedal-strings b and I) are wound upon the rollers I, I", and 1, corresponding to the frets a, a and a, and the corresponding cords H for the buttons 0 corresponding with the pedal-strings b and b are wound upon the rollers 1 1, and I, corresponding with the frets a a, and a" of the key-board a.
Each of the rollers I is provided with a crank-arm, K, which is connected by a horizontal rod, K, provided with an adjustable nut, K, with the bell-crank lever K, pivoted to a suitable bracket attached to the stand B. Each bell-crank lever K is connected by a vertical rod, L, provided with an adjustable nut, L, with a short link, L, pivotally attached to its respective pedal N, pivoted to a rod, 1 secured to the pedal-box M, in the lower part of the stand B.
Each of the pedals N is provided on its outer end with a foot-piece, O, projecting upward, and with felt stops 1, attached to the upper and lower sides of each pedal, so as to deaden the noise made by the pedals in their np-anddown. movement. The foot-pieces 0, O 0", 0, O and O are operated by the right foot, and the foot-pieces O, O, O, O, O, and O are operated upon by the left foot of the performer, and, as the foot-pieces O and O and the foot-pieces O and O are shorter than the foot-pieces surrounding them, the performer the key-board a, so that the value of the tone of the said pedal-strings is raised one-half tone. As soon as pressure is removed from one of the pedals O, the corresponding rod D is pressed upward by its spring G, thus lifting the corresponding button 0 to its normal position. The different rollers I are turned in a similar manner by pressing on the corresponding foot-pieces N, so that when, for instance, the foot-piece O is pressed down with the right foot it turns the roller I and thereby presses the respective buttons 0 on the pedalstrings I) and b near the fret a whereby the tone of the pedalstrings b and I) is raised one full note.
Two foot-pieces may be pressed down at the same time with one foot, so that when, for instance, the foot-pieces O" and O are pressed down by the left foot the rollers I and 1" are turned, thus pressing the respective buttons 0 upon the pedalstrings I) and 1)" near the fret a, and the pedal-strings b and If near the fret a. Thus it will be seen that one or two footpieees O can be pressed down by either the right or the left foot, and three or four footpieces can be pressed down by the use of both feet. This enables the performer to produce any harmonious tone on the pedal-strings, as before described.
The connection between the vertical rods D, carrying the buttons 0, and the pedals N, provided with the foot-pieces 0, may be varied; but I prefer the construction shown and described.
Having thus fully described my invention, I claim as new and desire to secure by Letters Patent-- 1. The combination, with a pedal-zither, of a number of the bass-strings provided with a key-board having frets, substantially as herein shown and described,
2. In a pedal-zither, the combination of pedal or bass-strings and their keyboard having frets with buttons operating on the pedal strings, substantially as herein shown and described,
3. In a pedal -zither, the combination of pedal or bass-strings, a key-board under the said strings, and frets on the said key-board with buttons adapted to operate on each of the said strings near each of the frets cf the key-board, substantially as herein. shown and described.
4. In a pedal-either, the combination of the pedal or bass'strings and their keyboard hav ing frets with buttons attached to rods operated by means of suitable devices attached to the pedals, substantially as herein shown and described. v
5. In a pedal-zither, the combination, with pedal or bass-strings, a key-board under the said strings, frets on the said key-board, and buttons of which one is placed above each of the said pedal or bass strings near each fret on the said key-board, of rods on which the said buttons are secured and pedals connected with the said rods by suitable devices, substantially as herein shown and described.
6. In a pedal-zither, the combination, with pedal or bass-strings, a key-board under the said strings, and frets on the said key-board, with buttons, of which one is placed above each of the said pedal-strings near each fret on the said key-board, of rods on which the said buttons are fastened, connected by means of cords with rollers, each of which is operated bya corresponding pedal connected with said roller by suitable devices, substantially as described and set forth.
7. In a pedal-zither, the combination, with buttons adapted to operate on the pedal-strings, of rods on which the said buttons are mounted and adapted to slide vertically in suitable bearings, and of stops and spiral springs on the said rods with rollers connected with the said rods by cords and with pedals connected with the said rollers by suitable devices, substantially as described and set forth.
8. In a pedal'zither, the combination of rollers, connected by cords with rods carrying buttons adapted to operate on the pedalstriugs, with pedals corresponding with the said rollers and connected with the same by suitable devices, substantially as described and set forth.
FERDINAND WIGAND.
\Vitnesses:
THEo. G. HOSTER, G. SEDGWIOK.
Publications (1)
| Publication Number | Publication Date |
|---|---|
| US370582A true US370582A (en) | 1887-09-27 |
Family
ID=2439595
Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| US370582D Expired - Lifetime US370582A (en) | wig-and |
Country Status (1)
| Country | Link |
|---|---|
| US (1) | US370582A (en) |
Cited By (4)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US2906158A (en) * | 1953-07-27 | 1959-09-29 | Bantar Inc | Stringed musical instrument of the percussion type |
| US3000253A (en) * | 1958-12-22 | 1961-09-19 | Houde Jean Marie | Pitch changing device for string instruments |
| US3443468A (en) * | 1966-12-28 | 1969-05-13 | Raymond A Kidwell | Mechanical fingering and picking device for electric bass guitar |
| US4228718A (en) * | 1978-08-28 | 1980-10-21 | Smith Robert L | Magic chorder |
-
0
- US US370582D patent/US370582A/en not_active Expired - Lifetime
Cited By (4)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US2906158A (en) * | 1953-07-27 | 1959-09-29 | Bantar Inc | Stringed musical instrument of the percussion type |
| US3000253A (en) * | 1958-12-22 | 1961-09-19 | Houde Jean Marie | Pitch changing device for string instruments |
| US3443468A (en) * | 1966-12-28 | 1969-05-13 | Raymond A Kidwell | Mechanical fingering and picking device for electric bass guitar |
| US4228718A (en) * | 1978-08-28 | 1980-10-21 | Smith Robert L | Magic chorder |
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