WO2009089345A2 - Système de gestion de révision pour portfolios d'audition - Google Patents
Système de gestion de révision pour portfolios d'audition Download PDFInfo
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- WO2009089345A2 WO2009089345A2 PCT/US2009/030436 US2009030436W WO2009089345A2 WO 2009089345 A2 WO2009089345 A2 WO 2009089345A2 US 2009030436 W US2009030436 W US 2009030436W WO 2009089345 A2 WO2009089345 A2 WO 2009089345A2
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- user
- audition
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- G—PHYSICS
- G06—COMPUTING OR CALCULATING; COUNTING
- G06Q—INFORMATION AND COMMUNICATION TECHNOLOGY [ICT] SPECIALLY ADAPTED FOR ADMINISTRATIVE, COMMERCIAL, FINANCIAL, MANAGERIAL OR SUPERVISORY PURPOSES; SYSTEMS OR METHODS SPECIALLY ADAPTED FOR ADMINISTRATIVE, COMMERCIAL, FINANCIAL, MANAGERIAL OR SUPERVISORY PURPOSES, NOT OTHERWISE PROVIDED FOR
- G06Q30/00—Commerce
- G06Q30/02—Marketing; Price estimation or determination; Fundraising
Definitions
- the invention provides an online clearinghouse and review management system for audition portfolios.
- the system allows users to submit their works to a famous entertainment professional of their choice and receive feedback on all of the submitted materials in an expedited fashion. The feedback comes directly from the entertainment professional and their camp. Essentially, it allows users to "virtually" audition from anywhere in the world at anytime. Regardless of talent, training, or experience, everyone with a dream can be heard and critiqued by the people who make the big decisions.
- the invention is a method for submitting an audition profile to a reviewer.
- a query is received at at least one computing device, via a network, from a first end user having an audition portfolio, wherein the query comprises at least one query criteria for retrieving information relating to at least a second user who is willing to review the audition portfolio for a fee.
- Information relating to the second user is retrieved from a computer readable medium accessible to the network using the query criteria.
- the information relating to the second user is transmitted, via the network, to the first user. received, via the network, at the computing device.
- An audition portfolio is received at trie computing device, via the network, from the first user.
- the audition portfolio is transmitted, via the network, to the selected second user.
- a review of the audition portfolio is received at the computing device, via the network from the selected second user.
- the review of the of the audition portfolio is transmitted, via the network, to the first end user.
- the invention is a method for reviewing audition profiles.
- a login for a first user is received, via a network, from a first computing device at at least a second computing device.
- identifications of a plurality of audition portfolios stored on computer readable media accessible to the network are retrieved wherein each of the plurality of audition portfolios was submitted by at least a second user for review by the first user for a fee.
- the identifications of the plurality of audition portfolios are transmitted, via the network, to the first computing device.
- a selection of the identification is received, via the network, from the first computing device.
- the audition portfolio identified by the selected identification is retrieved, using the second computing device, and is transmitted, via the network, to the first computing device.
- a review of the retrieved audition portfolio is received, via the network, from the first computing device, wherein the review was performed by the first user.
- FIG. 1 is a high-level diagram of one embodiment a physical system capable of supporting embodiments of the present invention.
- FIG. 2 illustrates one embodiment of a hardware configuration capable of supporting the services provided by the service provider's servers in FIG. 1.
- FIG. 3 illustrates one embodiment of a process through which a customer submits an audition portfolio to a client.
- FIG. 4 illustrates one embodiment of a feedback report furnished with a client's response to a customer's audition profile.
- FIG. 5 illustrates one embodiment of the p ⁇ professional becomes a client of the system.
- FIG. 6 illustrates one embodiment of a process through which a client reviews audition portfolio submitted by customers.
- FIG. 7 illustrates one embodiment of a login page which allows a client to login to the system.
- FIG. 8 illustrates one embodiment of a client dashboard page.
- FIG. 9 illustrates one embodiment of a submission review page.
- FIG. 10 illustrates one embodiment of a client dashboard page.
- These computer program instructions may be provided to a processor of a general purpose computer, special purpose computer, ASIC, or other programmable data processing apparatus, such that the instructions, which execute via the processor of the computer or other programmable data processing apparatus, implements the functions/acts specified in the block diagrams or operational block or blocks.
- server should be understood to refer to a service point which provides processing, database, and communication facilities.
- server may refer to a single, physical processor with associated communications and data storage and database facilities, or it may refer to a networked or clustered complex of processors and associated network and storage devices, as well as operating software and one or more database systen support the services provided by the server.
- Computer readable media stores computer data in machine readable form.
- computer readable media can comprise computer storage media and communication media.
- Computer storage media includes volatile and non-volatile, removable and non-removable media implemented in any method or technology for storage of information such as computer-readable instructions, data structures, program modules or other data.
- Computer storage media includes, but is not limited to, RAM, ROM, EPROM, EEPROM, flash memory or other solid-state memory technology, CD-ROM, DVD, or other optical storage, magnetic cassettes, magnetic tape, magnetic disk storage or other mass storage devices, or any other medium which can be used to store the desired information and which can be accessed by the computer.
- customer and “aspiring performer” should be understood to refer to an individual or group of individuals who are seeking to develop a career in entertainment and wish to submit an audition portfolio for review by an entertainment professional.
- the aspiring performer may be, without limitation, a producer, songwriter, singer, musician, dancer, or any other type of performance artist.
- An audition portfolio may contain, without limitation, biographical and contact information for an aspiring performer and one or more audio or audio-visual recordings of a performance by the aspiring performer.
- An "aspiring performer” becomes a "customer” of a service provider by using or purchasing services through a service provider's website.
- client and "entertainment professional” should be understood to refer to famous or otherwise well established entertainment professionals involved in the actual production or performance of, without limitation, music, dance, video, and audio works.
- the term as it is used in the embodiments in this disclosure is not directed to professionals within the Artists and Repertoire (A&R) division of a record label company. Nevertheless, nothing in the present disclosure should be taken to imply that the system and method could not be readily adapted and used by the A&R division of a record label company.
- An "entertainment professional” becomes a "client” of a provider by providing services using the provider's website.
- FIG. 1 is a high-level diagram of one embodiment of a hardware configuration capable of supporting embodiments of the disclosed system and method.
- the system may be hosted on one or more servers 110 located at a service provider's site 100.
- the server 110 hosts software for implementing a web server, and application software and one or databases for implementing one or more websites.
- the server 110 has at least one user interface 120 which allows the service provider to administer the server and its application software.
- the server 110 may additionally be connected to one or more external storage devices 130 which may provide backup services or which may host one or more databases.
- FIG. 2 illustrates one embodiment of a hardware configuration capable of supporting at least one embodiment of the services provided by the servers 110 in FIG. 1.
- the configuration shown in FIG. 2 is illustrative, and not limiting, and those skilled in the art will readily understand that other hardware and software configurations are capable of supporting the system disclosed herein.
- the system is accessed by customers 200 of the system through one or more websites hosted on the server 110 which are accessible through an external network 300, for example, the Internet.
- Customers will typically access the service provider's websites using a computer 210 which supports a display and graphical user interface 220.
- a computer 210 which supports a display and graphical user interface 220.
- the system is accessed by clients 400 of the system through one or more websites hosted on the server 110 which are accessible through the external network 300.
- Clients will typically access the service provider's websites using a computer 410 which supports a display and graphical user interface 420.
- a computer 410 which supports a display and graphical user interface 420.
- Financial transactions such as payments by customers 200 and payments to clients 300, are cleared through one or more financial institutions 500.
- the service provider 100 can maintains accounts of customer and client transactions.
- financial transactions are transmitted periodically (e.g. in batches) t external network 300.
- FIG. 3 illustrates one embodiment of a process 1000 through which a customer submits an audition portfolio to a client using an embodiment of the system disclosed in this application.
- An aspiring performer first finds a provider's website 1100 that implements an embodiment of the system disclosed herein.
- the aspiring performer is seeking to audition for a musical professional for the purpose of making connections or obtaining advice or employment.
- the aspiring performer may learn of the website through, without limitation, third- party search engines, referrals from other websites, or word of mouth.
- the aspiring performer then logs onto the website 1200, becoming a customer of the system.
- the website provides detailed information about the service, help facilities, and provides a webpage or other means by which the customer may submit a query to the service to retrieve profiles or other kinds of information relating to entertainment professionals who are clients of the service (e.g. through a query form.)
- the query can include one or more criteria which can include client name, profession, types of music or performance the client is interested in, and the cost of the client's services (i.e. fees charged for reviewing audition portfolios.)
- the system can, in one embodiment, transmit the results of the query to the customer so the customer can review information relating clients who match the customer's query criteria.
- the results of the query could include multiple clients who may be of greater or lesser interest to the customer.
- the results transmitted to the customer could include client name, client profession, types of music the client is interested in, types of performance the client is interested in and the fees charged by the client.
- the system provides a user interface for display of the query results to the customer and for selection of one or more clients to which the customer desires to submit an audition portfolio for review.
- a customer decides to submit an audition portfolio to a client, the customer proceeds to create a profile 1300 on the system (unless the customer has previously registered with the system.) The customer is first informed of the legal terms of the service, and may require the customer to respond to a validation email before proceeding further. After filling out an online application, the customer then uploads an audition portfolio for submission to the clients the customer has chosen.
- the audition portfolio may include, without limitation, a press kit, bio, pictures, and a track, song, or video. In one embodiment, the portfolio is limited to a single track, song, or video which is of a specific duration, f ⁇ embodiment, a portfolio may include multiple tracks, songs, or videos which may result in additional charges on a per-submission basis.
- the customer then provides payment for the service 1400.
- Payment may be made in any conventional manner, for example, by credit card, bank draft, or PayPal.
- the customer may choose to pay an additional fee for expedited service.
- the customer pays a fee for each submission to a client.
- the user pays a flat subscription fee for a period of time, for example, for a year, during which time the subscriber may submit an audition portfolio to a predetermined number of clients for no additional cost.
- submission of an audition portfolio to a client may be free based on a promotional offer.
- the customer's money is placed into an escrow account maintained by the provider.
- the selected client reviews the submission within a predefined period, for example, within 7-10 business days, the funds are moved out of escrow and paid to the client.
- the customer is then queried as to whether the customer wishes to retain copyrights in the materials they have uploaded 1500.
- the customer's audition profile is then submitted 1600 for review by the selected clients and the customer receives a confirmation email.
- the client then reviews the customer's audition portfolio and provides a written and verbal or visual response 1700 specifically directed to the work that was submitted in the customer's audition portfolio.
- the response includes a feedback report that includes a brief summary of the work with the client's thoughts, as well as advice, and direction on how to improve the work.
- the response additionally indicates whether the client wishes to contact the customer directly.
- the client's response is then forwarded to the customer.
- the client wishes to contact the customer, the customer is notified and the customer's contact information is forwarded to the client. The client then contacts the customer directly and attempts to work out a deal 1800. If a deal is successfully worked out, it is noted on the system that a deal has been reached. In one embodiment, as a value added feature, after a fixed period, for example, 20 days, the customers audition portfolio may be passed on to the other clients at the customer's request for no additional cost. If the client does not wish to contact the customer, the customer is notified and the cu assistance through a referral system.
- FIG. 4 illustrates one embodiment of a feedback report 2000 furnished with a client's response to a customer's audition profile.
- the report is divided into sections which, in one embodiment, include Originality 2010, Marketability 2020, Production, 2030, Vocal/Lyrics 2040, and Overall Feedback, 2050.
- the report additionally includes a paragraph that indicates if the client wishes to contact the customer 2060.
- Each section header 2012, 2022, 2032, 2042, and 2052 has a heading , and body text 2014, 2024, 2034, 2044, and 2054.
- Each block of body text 2014, 2024, 2034, 2044, and 2054 contains text beginning with a rating from 1 to 5, and detailed comments which further expand on the meaning of individual ratings.
- FIG. 5 illustrates one embodiment of the process 3000 by which an entertainment professional becomes a client of the system.
- an entertainment professional decides to become a client of the system provider 3100.
- the entertainment professional may have learned of the service through a variety of pathways, without limitation, through the web, through word of mouth, or through direct solicitation by the provider.
- the entertainer may be motivated to become a client of a service for a variety of reasons including additional revenue generated by being paid for reviewing audition portfolios or having the opportunity to find new works or performers.
- the entertainment professional then signs a contract or letter of intent 3200 and becomes a client of the provider.
- the contract may include the basic financial terms of the relationship, performance standards, and other terms.
- the contract specifies the fee that customers will pay for the client to review a portfolio and specifies the percentage of that fee the client will receive. The percentage may be on a sliding scale, for example:
- Performance standards and additional terms may include (1.) the client agrees to stay current with the review queue, (2.) the client agrees to record a simple 30 second video that requests demos (3.) the client agrees to not use a similar service for one year, (4.) the client agrees to let the provider advertise on the client's behalf, an the client's connection with the client service.
- the provider then conducts a client setup interview. During the setup interview, the provider first determines what type of submissions will the client be accepting and/or rating 3300.
- the type of submission may be defined as, without limitation, the type of work the client is interested in, such as dance or musical performance, and any relevant category that may be applied to the work, such as, for example, for a musical performance, rock, county, or hip hop.
- Ratings categories may include, without limitation, Originality, Marketability, Production, Vocal/Lyrics, and Overall Feedback.
- the categories defined in this step determine what categories appear on the feedback reports such as that in FIG. 4 provided to clients.
- the client may define up to five responses for each category 3400. For every rating defined, the client provides a block of text that explains what the rating means to the client. The response text is displayed on responses returned to clients. In this manner, the system is able to keep the response time under two minutes.
- the production on your song is outstanding, great sound quality, well thought through transitions, clear and intelligent instrument choices. The production is good enough that people will be happy listening to your song at home, on their IPod, in the car or wherever.” may represent text that was written in advance to be included with every response where a rating of 5 was given for "Production.” In one embodiment, the majority of the text on the feedback report in FIG. 4 is predefined text which was not authored specifically for a single customer.
- the provider then discusses cross marketing ideas 3500 to be included in the client's profile.
- Cross marketing vehicles may include the MySpace website, the client's website, business cards, photos and media to be used on the client profile, etc.
- the client or the client's manager then provides personal information for the client 3600 which may include name, address, Social Security Number, bank account, email addresses, and any other information required for tax and banking purposes.
- the provider determines if the client needs ( to the system's interface 3700.
- the client receives training in using trie system 3800 and is introduced to his or her client manager.
- the provider sets up a login and password for the client 3900 and the client is able to use the system.
- FIG. 6 illustrates one embodiment of a process 4000 through which a client reviews audition portfolio submitted by customers for review by the client and responses are provided to the customers.
- the client logs onto the system and is taken to a control panel 4100 which displays, without limitation, audition portfolios submitted for review by the client.
- the client selects and reviews audition portfolios 4200 individually.
- the client the responds to the audition portfolio by assigning ratings to review categories that were defined by the client during the client setup process.
- the client may optionally additionally enter freeform text comments.
- the client is also required to record a brief voice message, for example 30 seconds, in which the client provides specific comments about the submitted work. The client then submits his or her review 4300, indicating if the client wishes to contact the customer.
- the client Upon completion of a review session the client will receive a short report 4400 detailing their progress including queue status and total dollar amount in their account.
- the client may continue to review audition portfolios or logout of the system 4500. For every portfolio the client has reviewed, the customer who submitted the portfolio is notified that their portfolio has been reviewed 4600.
- Client submissions may be reviewed by the provider (not shown) prior to being forwarded to customers to insure that the submission meets provider standards which may include insuring that the submission provides specific and useful feedback, guidance, and advice regarding the specific work submitted by the customer for review.
- the customers may then log onto the system and view the review submitted by the client.
- the provider forwards contact information to the client who may then contact the customer directly and attempt to work out a deal 4700 with the customer.
- the provider sends a standard pre-approved letter to the customer indicating the client wishes to contact the client before any of the customer's personal information is sent to the client.
- the provider does not take part in any negotiations between the customer and the client, but may contact has been made, and will help facilitate contact with the customer it necessary.
- FIG. 7 through 10 illustrate an embodiments of a graphical user interface that may be implemented to support the process described in FIG. 6.
- FIG. 7 illustrates one embodiment of a login page 5200 which allows a client to login to the system. The client enters a user name 5220, a password, 5240, and clicks on the sign in button. If login is successful, the client is then taken to a client dashboard page/control panel.
- FIG. 8 illustrates one embodiment of a client dashboard page 5400.
- the dashboard page 5400 displays a review queue 5410 which displays information identifying audition portfolios that have been submitted for review by the client.
- the client may select a specific submission to review by clicking on the review button 5412 for the desired submission.
- a submission review page is then displayed for the selected submission.
- the dashboard additionally displays a message center 5440 which displays messages sent by the provider to the client and an account summary 5460 which displays the number of portfolios the client has reviewed and the fees the client has earned.
- the dashboard 5400 additionally provides a review history button 5420 which when selected allows the client to view a detailed history of the reviews the client has submitted.
- the dashboard 5400 additionally provides a logout button 5480 which when selected logs the client out of the system.
- FIG. 9 illustrates one embodiment of a submission review page 5600.
- the submission review page 5600 displays a title area 5610 which displays the submission title, type, and reason for submission.
- the review page displays a summary of the submission 5620 which includes biographical information for the customer and provides a photo viewer and document view 5622 to enable the client to view photographs and documents included in the submission.
- the summary of the submission 5620 additionally provides an audio/video player 5624 which enables the client to play any audio or video files included in the submission.
- the submission review page 5600 further provides a review section 5640.
- the review section provides a set of radio buttons 5641, with one set of buttons for every review category set up for the client.
- the illustrated embodiment contains five sets of radio buttons for review categories including Originality, Marketability, Production, Vocal/Lyrics, and Overall Feedback. For each review category there are five possible ratings, 1 to 5.
- the review section 5640 additionally includes a s client to indicate whether or not the client wishes to contact the customer 5642, and a set ot radio buttons to flag the submission for later review, 5643.
- the review section further provides a free form text entry field 5644 which allows the client to enter additional comments about the submission.
- the review section further provides buttons to allow the client to add an audio response to the review 5645 and to save the review 5646 for further modification at a later time.
- the submission review page 5600 further provides buttons that allow the client to submit the review 5660 and to decline to review the submission 5680.
- the process of reviewing a submission using the submission review page of FIG. 9 is as follows.
- the client initially reviews the information displayed in the title 5610 and summary section 5620. If the client is interested in reviewing the submission in detail, the client may view additional documents and photographs using the photo and document viewer 5622. The client then views and listens to the audio/video works included in the submission using the audio/video player 5624.
- the client selects ratings for every one of the ratings categories using the five sets of radio buttons 5641.
- the response text corresponding to the selected rating for each of the categories is displayed above the radio buttons.
- the client indicates if he or she wishes to contact the client using the radio buttons 5642, and indicates if he or she wishes to flag the customer for later review using the radio buttons 5643.
- the client may enter additional written comments about the submission using the freeform text field 5644. In one embodiment, additional written comments are optional, since the act of selecting ratings in each of the categories selects predefined response text for the corresponding ratings.
- the client then adds an audio and/or visual response to the review 5645 and submits the review 5646. After a review has been submitted, the client is returned to the dashboard, FIG. 10, and the client's account totals 5460 are updated to reflect the completed review.
- the system may additionally provide bookkeeping functions which enable the provider to (1.) review all money going into escrow, (2.) move money out of escrow for each completed review, (3.) pay money out of escrow to client holding accounts and partner accounts, (4.) move remaining funds to the business account, (5.) download a list of all delinquent reviews for that day, and (6.) refund money, in full, to customers for i the guaranteed time.
- the system may additionally provide financial reporting functions for the provider which includes (1.) weekly statements for each account manager (a person in charge of specific client accounts), (2.) monthly financial overview documents, and (3.) any financial documentation required by the providers CPA, Executive Board, including documentation relevant to end of year tax preparation.
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Abstract
Système et procédé permettant de soumettre un profil d'audition à un réviseur. Une interrogation est reçue d'un premier utilisateur final ayant un portfolio d'audition, l'interrogation comprenant au moins un critère d'interrogation pour récupérer des informations relatives à au moins un second utilisateur disposé à réviser le portfolio d'audition contre paiement. Les informations relatives au second utilisateur sont récupérées au moyen des critères d'interrogation. Les informations relatives au second utilisateur sont transmises au premier utilisateur. Une sélection du second utilisateur est reçue, par le biais du réseau, sur le dispositif informatique. Un portfolio d'audition est reçu sur le dispositif informatique du premier utilisateur. Le portfolio d'audition est transmis, par le biais du réseau, au second utilisateur sélectionné. Une révision du portfolio d'audition est reçue sur le dispositif informatique. La révision du portfolio d'audition est transmise au premier utilisateur final.
Applications Claiming Priority (2)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| US1975408P | 2008-01-08 | 2008-01-08 | |
| US61/019,754 | 2008-01-08 |
Publications (2)
| Publication Number | Publication Date |
|---|---|
| WO2009089345A2 true WO2009089345A2 (fr) | 2009-07-16 |
| WO2009089345A3 WO2009089345A3 (fr) | 2009-09-11 |
Family
ID=40853759
Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| PCT/US2009/030436 Ceased WO2009089345A2 (fr) | 2008-01-08 | 2009-01-08 | Système de gestion de révision pour portfolios d'audition |
Country Status (1)
| Country | Link |
|---|---|
| WO (1) | WO2009089345A2 (fr) |
Cited By (6)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US9345648B2 (en) | 2006-11-09 | 2016-05-24 | Klox Technologies Inc. | Photoactivatable oxygen-evolving compositions and methods for teeth whitening |
| US9597349B2 (en) | 2008-11-07 | 2017-03-21 | Klox Technologies Inc. | Combination of an oxidant and a photoactivator for the healing of wounds |
| US9655829B2 (en) | 2012-09-14 | 2017-05-23 | Valeant Pharmaceuticals International, Inc. | Compositions and methods for teeth whitening |
| US10207029B2 (en) | 2014-04-01 | 2019-02-19 | Klox Technologies Inc. | Tissue filler compositions and methods of use |
| US10376455B2 (en) | 2012-04-20 | 2019-08-13 | Klox Technologies Inc. | Biophotonic compositions and methods for providing biophotonic treatment |
| US11116841B2 (en) | 2012-04-20 | 2021-09-14 | Klox Technologies Inc. | Biophotonic compositions, kits and methods |
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| US5805702A (en) * | 1995-09-29 | 1998-09-08 | Dallas Semiconductor Corporation | Method, apparatus, and system for transferring units of value |
| US6430537B1 (en) * | 1998-03-31 | 2002-08-06 | Walker Digital, Llc | Method and apparatus for priority-based jukebox queuing |
| US6327652B1 (en) * | 1998-10-26 | 2001-12-04 | Microsoft Corporation | Loading and identifying a digital rights management operating system |
| US7087829B2 (en) * | 2000-09-13 | 2006-08-08 | Yamaha Corporation | Method, system and recording medium for viewing/listening evaluation of musical performance |
| US20070027707A1 (en) * | 2005-08-01 | 2007-02-01 | Murray Frank H | System and methods for interactive selection of a reviewer of media content |
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Cited By (11)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US9345648B2 (en) | 2006-11-09 | 2016-05-24 | Klox Technologies Inc. | Photoactivatable oxygen-evolving compositions and methods for teeth whitening |
| US9597349B2 (en) | 2008-11-07 | 2017-03-21 | Klox Technologies Inc. | Combination of an oxidant and a photoactivator for the healing of wounds |
| US10384072B2 (en) | 2008-11-07 | 2019-08-20 | Klox Technologies Inc. | Combination of an oxidant and a photoactivator for the healing of wounds |
| US10758744B2 (en) | 2008-11-07 | 2020-09-01 | Klox Technologies Inc. | Combination of an oxidant and a photoactivator for the wounds |
| US10376455B2 (en) | 2012-04-20 | 2019-08-13 | Klox Technologies Inc. | Biophotonic compositions and methods for providing biophotonic treatment |
| US11116841B2 (en) | 2012-04-20 | 2021-09-14 | Klox Technologies Inc. | Biophotonic compositions, kits and methods |
| US11331257B2 (en) | 2012-04-20 | 2022-05-17 | Klox Technologies Inc. | Biophotonic compositions and methods for providing biophotonic treatment |
| US11723854B2 (en) | 2012-04-20 | 2023-08-15 | Fle International S.R.L. | Biophotonic compositions and methods for providing biophotonic treatment |
| US9655829B2 (en) | 2012-09-14 | 2017-05-23 | Valeant Pharmaceuticals International, Inc. | Compositions and methods for teeth whitening |
| US10207029B2 (en) | 2014-04-01 | 2019-02-19 | Klox Technologies Inc. | Tissue filler compositions and methods of use |
| US10772990B2 (en) | 2014-04-01 | 2020-09-15 | Klox Technologies Inc. | Tissue filler compositions and methods of use |
Also Published As
| Publication number | Publication date |
|---|---|
| WO2009089345A3 (fr) | 2009-09-11 |
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