WO2016010502A1 - Album audio interactif avec fonction karaoké et interface utilisateur virtuelle - Google Patents
Album audio interactif avec fonction karaoké et interface utilisateur virtuelle Download PDFInfo
- Publication number
- WO2016010502A1 WO2016010502A1 PCT/TR2015/050029 TR2015050029W WO2016010502A1 WO 2016010502 A1 WO2016010502 A1 WO 2016010502A1 TR 2015050029 W TR2015050029 W TR 2015050029W WO 2016010502 A1 WO2016010502 A1 WO 2016010502A1
- Authority
- WO
- WIPO (PCT)
- Prior art keywords
- interactive
- module
- album
- performer
- button
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Ceased
Links
Classifications
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0033—Recording/reproducing or transmission of music for electrophonic musical instruments
-
- G—PHYSICS
- G06—COMPUTING OR CALCULATING; COUNTING
- G06F—ELECTRIC DIGITAL DATA PROCESSING
- G06F16/00—Information retrieval; Database structures therefor; File system structures therefor
- G06F16/40—Information retrieval; Database structures therefor; File system structures therefor of multimedia data, e.g. slideshows comprising image and additional audio data
- G06F16/44—Browsing; Visualisation therefor
-
- G—PHYSICS
- G06—COMPUTING OR CALCULATING; COUNTING
- G06F—ELECTRIC DIGITAL DATA PROCESSING
- G06F16/00—Information retrieval; Database structures therefor; File system structures therefor
- G06F16/60—Information retrieval; Database structures therefor; File system structures therefor of audio data
- G06F16/64—Browsing; Visualisation therefor
-
- G—PHYSICS
- G06—COMPUTING OR CALCULATING; COUNTING
- G06F—ELECTRIC DIGITAL DATA PROCESSING
- G06F3/00—Input arrangements for transferring data to be processed into a form capable of being handled by the computer; Output arrangements for transferring data from processing unit to output unit, e.g. interface arrangements
- G06F3/01—Input arrangements or combined input and output arrangements for interaction between user and computer
- G06F3/011—Arrangements for interaction with the human body, e.g. for user immersion in virtual reality
-
- G—PHYSICS
- G06—COMPUTING OR CALCULATING; COUNTING
- G06F—ELECTRIC DIGITAL DATA PROCESSING
- G06F3/00—Input arrangements for transferring data to be processed into a form capable of being handled by the computer; Output arrangements for transferring data from processing unit to output unit, e.g. interface arrangements
- G06F3/01—Input arrangements or combined input and output arrangements for interaction between user and computer
- G06F3/048—Interaction techniques based on graphical user interfaces [GUI]
- G06F3/0481—Interaction techniques based on graphical user interfaces [GUI] based on specific properties of the displayed interaction object or a metaphor-based environment, e.g. interaction with desktop elements like windows or icons, or assisted by a cursor's changing behaviour or appearance
- G06F3/0483—Interaction with page-structured environments, e.g. book metaphor
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H1/00—Details of electrophonic musical instruments
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H1/00—Details of electrophonic musical instruments
- G10H1/36—Accompaniment arrangements
- G10H1/361—Recording/reproducing of accompaniment for use with an external source, e.g. karaoke systems
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
- G10H2210/101—Music Composition or musical creation; Tools or processes therefor
- G10H2210/125—Medley, i.e. linking parts of different musical pieces in one single piece, e.g. sound collage, DJ mix
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/091—Graphical user interface [GUI] specifically adapted for electrophonic musical instruments, e.g. interactive musical displays, musical instrument icons or menus; Details of user interactions therewith
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/091—Graphical user interface [GUI] specifically adapted for electrophonic musical instruments, e.g. interactive musical displays, musical instrument icons or menus; Details of user interactions therewith
- G10H2220/101—Graphical user interface [GUI] specifically adapted for electrophonic musical instruments, e.g. interactive musical displays, musical instrument icons or menus; Details of user interactions therewith for graphical creation, edition or control of musical data or parameters
- G10H2220/106—Graphical user interface [GUI] specifically adapted for electrophonic musical instruments, e.g. interactive musical displays, musical instrument icons or menus; Details of user interactions therewith for graphical creation, edition or control of musical data or parameters using icons, e.g. selecting, moving or linking icons, on-screen symbols, screen regions or segments representing musical elements or parameters
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/091—Graphical user interface [GUI] specifically adapted for electrophonic musical instruments, e.g. interactive musical displays, musical instrument icons or menus; Details of user interactions therewith
- G10H2220/101—Graphical user interface [GUI] specifically adapted for electrophonic musical instruments, e.g. interactive musical displays, musical instrument icons or menus; Details of user interactions therewith for graphical creation, edition or control of musical data or parameters
- G10H2220/131—Graphical user interface [GUI] specifically adapted for electrophonic musical instruments, e.g. interactive musical displays, musical instrument icons or menus; Details of user interactions therewith for graphical creation, edition or control of musical data or parameters for abstract geometric visualisation of music, e.g. for interactive editing of musical parameters linked to abstract geometric figures
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
- G10H2240/121—Musical libraries, i.e. musical databases indexed by musical parameters, wavetables, indexing schemes using musical parameters, musical rule bases or knowledge bases, e.g. for automatic composing methods
- G10H2240/131—Library retrieval, i.e. searching a database or selecting a specific musical piece, segment, pattern, rule or parameter set
Definitions
- the present invention relates to music albums created by performers. Different from known music albums, the invention particularly relates to visual and audio interactive 3D and hologram albums.
- a music album is essentially a work in the form of record and long-playing record which includes musical recordings therein. Having been developed in the course of time, other formats such as compact cassette, compact disc forms, and digital formats such as MP3 have been created.
- Album notes may include inserts about the music and recording, background information, an analysis of the recording, lyrics and librettos, photos of the performer, and other images and texts, as well as a thank-you note for those who contributed.
- CD booklets Upon the emergence of compact disc format, album notes have started to be referred to as CD booklets as well.
- Studio album is an album which consists of tracks recorded in a recording studio.
- a studio album is made up of newly written and recorded, or previously unreleased songs or remixed materials.
- virtual album refers to web-based music albums.
- concept of virtual album has emerged due to the fact that music distribution is performed over the internet.
- Many amateur and professional musicians prefer internet environment, instead of physical environments (e.g. CDs, records, compact cassettes), to publish their albums. This is primarily due to the radical change in music as of the late nineties.
- Virtual albums provide flexibility in music production. They make it possible for amateur performers to reach to people easily. It is advantageous in that it reduces album costs; however, it also has some disadvantages. Some of these disadvantages include lowering musical quality, i.e. selectivity, by increasing the number of songs in music market, increasing music consumption, etc. It leads to ever-increasing pirate consumption despite all the precautions having been taken. - -
- the PCT application No. WO201 1 106479A2 discloses a digital multimedia album.
- an interface that allows including music or different product in the album and making payment.
- There still is a need for a novel solution which, unlike the aforementioned solution, prevents pirate consumption, brings people together with the performer, permits intervention in the music within the album, and into which new musical works can be included subsequently.
- the object of the invention inspired by the state of the art, is to develop a visual and audio interactive 3D and hologram album which eliminates the disadvantages in the existing configurations and provides many additional advantages.
- the primary object of the invention is to develop an interactive, animated, hologram album format in which fans of the performers can virtually browse different virtual environments and atmospheres (natural environments from the world that we live in such as seaside, forests, summits of the mountains, lakeside; or imaginary environments such as universe, space, galaxies, planets, fantastic realms, dimensions, dreams), which are prepared by the performers in accordance with the personal home studio-library-cinema and club environments where the performer - -
- Another object of the invention is that the users can record their own voice and instrument records simultaneously with the works that the singers published thanks to the ideas and methods introduced by the latter. Apart from that, the users can mix the music presented in separate channels as they desire. In this way, the invention aims to contribute to an art consumption which is more participative and interaction- based. It is aimed to provide an interactive album which particularly enables the children to discover their artistic skills and shape their future at an early age.
- Another object of the invention is to allow making changes on the music by means of different modules within the interactive 3D and hologram album in varying ways.
- Another object of the invention is to store each record within the interactive 3D and hologram album to be listened again subsequently.
- Another object of the invention is to allow making changes on the music by means of different modules within the interactive 3D and hologram album in varying ways.
- Another object of the invention is to form music and video processing in different formats.
- Another object of the invention is to eliminate pirate consumption thanks to this interactive 3D and hologram album which allows creating performances by making different comments on the songs of the original singer and singing as if performing a mutual performance with him/her.
- Another object of the invention is to discover young talents more easily and help youths to develop their talents thanks to the present interactive album.
- a novel interactive album which gives people a chance to show their musical talents, and at the same time eliminates pirate consumption, has been developed.
- Fig. 1 A is the schematic drawing of a representative embodiment of the invention.
- Fig. 1 is the drawing of the interactive book module interface in a representative embodiment of the invention.
- Fig. 2 is the drawing of the interactive studio module interface in a representative embodiment of the invention.
- Fig. 3 is the drawing of the interactive keyboard module interface in a representative embodiment of the invention.
- Fig. 4 is the drawing of the interactive guitar module interface in a representative embodiment of the invention.
- Fig. 5 is the drawing of the interactive drum module interface in a representative embodiment of the invention.
- Fig. 6 is the drawing of the interactive cinema module interface in a representative embodiment of the invention.
- Fig. 7 is the drawing of the interactive club module interface in a representative embodiment of the invention.
- the invention is an interactive album (1 ), wherein said interactive album (1 ) can be operated by tablet computers, mobile phones, PCs, hologram players, laptops, and via the internet by means of an interactive album player (2).
- the interactive album (1 ) operated by the interactive album player (2) can be started over various modules which can be selected from interactive book module (3), interactive studio module (4), interactive keyboard module (5), interactive guitar module (6), interactive drum module (7), interactive cinema module (8), and interactive club module (9). Recording is realized by data storage (10). Records are stored in data storage unit (1 1 ). Access (12) to records from the internet / data - -
- each interface Disposed on each interface are a catalogue button (14), a records button (15), a stop button (16), a play button (17), a record button (18), a volume up button (19), a volume down button (20), and a help button (21 ).
- the catalogue button (14) is pushed, the user is directed to the page which serves as a list where all of the published works are included together. Then, the user downloads the production by buying it after analyzing the information on the work s/he chooses over said page. The set related to the downloaded work is activated in the chosen application. All synchronic records that the user performs are stored in the list which is opened when the records button (15) is pushed. The user can reload this list, with the records being active, to the application whenever s/he wants.
- Stopping, playing, and recording operations are performed by means of the stop button (16), play button (17), and record button (18), which are disposed in the middle upper section, respectively.
- the help button (21 ) in right upper corner is pushed, the information as to how to use the application is given.
- the user first enters the library room of the performer modelled in 3D or hologram format with the avatar character of the latter, and s/he is asked to pass to the recording section, get closer to recording microphone, and wear a headset. Selecting any one of the books in the catalogue menu on the library, the user enters the interactive book module (3) application after s/he gets closer to the microphone. While the lyrics of the work flows on the application screen synchronically, the performer sings the same simultaneously. The user pushes the 'record' button (18) and can perform a duet with the singer, or if s/he desires, s/he can make a solo performance by downloading playback music background in which the voice of the original singer is not heard. As the lyrics go on, the application automatically pass to the other page. - -
- the user In the studio form (23), the user first enters the studio room of the performer modelled in 3D or hologram format with the avatar character of the latter, and s/he is asked to pass to the recording room, get closer to recording microphone, and wear a headset. Selecting any one of the works in the catalogue menu on the music stand, the user enters the interactive studio module (4) application after s/he gets closer to the microphone. While the lyrics of the work flows on the screen synchronically, the performer sings the same simultaneously. The user pushes the 'record' button (18) and can perform a duet with the singer, or if s/he desires, s/he can make a solo performance by downloading playback music background in which the voice of the original singer is not heard.
- the user In the keyboard form (24), the user first enters the studio room of the performer modelled in 3D or hologram format with the avatar character of the latter, and s/he is asked to pass to the recording room, get closer to the keyboard instrument provided therein, and wear a headset. Selecting any one of the works in the catalogue menu on the music stand, the user enters the interactive keyboard module (5) application after s/he touches the keys of the keyboard.
- the recording channels that form the work are individually positioned on the keys of the keyboard.
- the user plays the instrument and record channel that s/he desires by pushing the keys and makes personal remix arrangements and recordings of new versions.
- the channels that continue playing as long as being pushed play in loop if pushed twice.
- the user In the guitar form (25), the user first enters the studio room of the performer modelled in 3D or hologram format with the avatar character of the latter, and s/he is asked to pass to the recording room, get closer to the guitar instrument provided therein, and wear a headset. Selecting any one of the works in the catalogue menu on the music stand, the user enters the interactive guitar module (6) application after s/he touches the strings of the guitar.
- the recording channels that form the work are individually positioned on the strings of the guitar.
- the user plays the instrument and record channel that s/he desires by touching the strings and makes personal remix arrangements and recordings of new versions.
- the channels that continue playing as long as being touched play in loop if pushed twice. - -
- the user In the drum form (26), the user first enters the studio room of the performer modelled in 3D or hologram format with the avatar character of the latter, and s/he is asked to pass to the recording room, get closer to the drum instrument provided therein, and wear a headset. Selecting any one of the works in the catalogue menu on the music stand, the user enters the interactive drum module (7) application after s/he beats drum.
- the recording channels that form the work are individually positioned on eight different symbols on the drum. The user plays the instrument and record channel, which are already playing in loop for the moment, by touching the symbols on the drum, and thus s/he can make personal remix arrangements and recordings of new versions.
- the user first enters the cinema room of the performer modelled in 3D or hologram format with the avatar character of the latter, and s/he is asked to pass to the recording section, get closer to recording microphone, and wear a headset. Selecting any one of the videos in the catalogue menu on the video library, the user enters the interactive cinema module (8) application after s/he gets closer to the microphone. Video work is shown on the screen and the captions or dubbing at the bottom of the screen (as subtitle), and while the cinema music lyrics (28) flows synchronically, the work is dubbed with the voice of the performer.
- the user pushes the 'record' button (18) and can perform a duet with the singer, or if s/he desires, s/he can make a solo performance by downloading playback music background in which the voice of the original singer is not heard.
- the videos prepared by the performer himself/herself are presented for broadcasting in the form of a story containing said videos interrelatedly and serially at a predetermined time period.
- the club form (29) the user first enters the club room of the performer modelled in 3D or hologram format with the avatar character of the latter.
- the performer goes live to perform his/her works on the scene with his/her avatar identity at the previously stated day and hour.
- the members in the club avatar (30) form can also chat online while they listen to the playing work.
- the songs requested by the members are uploaded in the application and the members get the chance to get on the stage as a - -
- An embodiment has been formed of an interactive album (1 ) which allows performing different works together with the works of the performer, an interactive album player (2) which operates the interactive album (1 ), at least one start/play module (31 ) within the interactive album (1 ), and an audio and visual interactive album (1 ) which comprises at least one of the buttons selected from a catalogue button (14) which is disposed on each start/play module (31 ) and in which the works are included, a records button (15) where the records are saved, a stop button (16) allowing intervention during play mode, a play button (17), a record button (18), a volume up button (19), and a volume down button (20).
- the start/play module (31 ) consists of, or comprises at least one of, the interactive book module (3), interactive studio module (4), interactive keyboard module (5), interactive guitar module (6), interactive drum module (7), interactive cinema module (8), and interactive club module (9).
- the book form (22) is provided with an interactive book module (3) which allows simultaneous performance with the voice of the performer while the lyrics of the work flows on the screen; in which the user pushes the 'record' button (18) and can perform a duet with the singer, or if s/he desires, s/he can make a solo performance by downloading playback music background in which the voice of the original singer is not heard; and in which the application automatically passes to the other page as long as the lyrics go on.
- the studio form (23) is provided with an interactive studio module (4) which allows simultaneous performance with the voice of the performer while the lyrics of the work flows on the screen; and in which the user pushes the 'record' button (18) and can perform a duet with the singer, or if s/he desires, s/he can make a solo performance by downloading playback music background in which the voice of the original singer is not heard.
- an interactive studio module (4) which allows simultaneous performance with the voice of the performer while the lyrics of the work flows on the screen; and in which the user pushes the 'record' button (18) and can perform a duet with the singer, or if s/he desires, s/he can make a solo performance by downloading playback music background in which the voice of the original singer is not heard.
- the keyboard form (24) is provided with an interactive keyboard module (5) in which the record channels that make up the work are individually positioned on the keys of the keyboard; in which the user plays the instrument and record channel that s/he desires by pushing the keys and makes personal remix arrangements and recordings of new versions.
- the guitar form (25) is provided with an interactive guitar module (6) in which the record channels that make up the work are individually positioned on the strings of the guitar; and in which the user plays the instrument and record channel that s/he desires by touching the strings and makes personal remix arrangements and recordings of new versions.
- the drum form (26) is provided with an interactive drum module (7) in which the record channels that make up the work are individually positioned on eight different symbols on the drum; and in which the user plays the instrument and record channel, which are already playing in loop for the moment, by touching the symbols on the drum and makes personal remix arrangements and recordings of new versions.
- the cinema form (27) is provided with an interactive cinema module (8) in which the work is dubbed with the voice of the performer while the cinema music lyrics (28) flows synchronically and the video work is shown on the screen and the captions or dubbing at the bottom of the screen (subtitle); in which the user pushes the 'record' button (18) and can perform a duet with the singer, or if s/he desires, s/he can make a solo performance by downloading playback music background in which the voice of the original singer is not heard; and in which the videos prepared by the performer himself/herself are presented for broadcasting in the form of a story containing said videos interrelatedly and serially at a predetermined time period.
- the club form (29) is provided with an interactive club module (9) in which the performer performs live performances of his/her works with his/her avatar identity and the members in club avatar (30) form can get on the stage as a vocalist, musician, or DJ, and can make recordings.
- an interactive club module 9 in which the performer performs live performances of his/her works with his/her avatar identity and the members in club avatar (30) form can get on the stage as a vocalist, musician, or DJ, and can make recordings.
- an interactive album (1 ) that allows making new records by interfering in visual and audio works via at least one start/play module (31 ) which is operated by an interactive album player (2), e.g. laptops, tablet computers, iPads, mobile phones, PCs, and hologram players.
- an interactive album player (2) e.g. laptops, tablet computers, iPads, mobile phones, PCs, and hologram players.
- the data storage unit (1 1 ) where the data of the recordings is stored (10) and saved is provided with safe access over the access (12) to records from the internet / data storage unit and interactive album password protection unit (13).
- the user enters the library room of the performer modelled in 3D or hologram format with the avatar character of the latter and choses any book that s/he wishes by getting closer to the section where the books are provided, and having made his/her choice, s/he enters the interactive book module (3) application as soon as s/he takes the book;
- the user enters the studio room of the performer modelled in 3D format with the avatar character of the latter, and s/he is asked to pass to the recording room, get closer to recording microphone, and wear a headset; and having chosen his/her work of preference from the catalogue menu on the music stand, s/he enters the interactive studio module (4) application as soon as s/he gets closer to the microphone;
- the user enters the studio room of the performer modelled in 3D or hologram format with the avatar character of the latter, and s/he is asked to pass to the recording room, get closer to keyboard instrument therein, and wear a headset; and having chosen his/her work of preference from the catalogue menu on the music stand, s/he enters the interactive keyboard module (5) application as soon as s/he touches the keys of the keyboard; - -
- the user enters the studio room of the performer modelled in 3D or hologram format with the avatar character of the latter, and s/he is asked to pass to the recording room, get closer to guitar instrument therein, and wear a headset; and having chosen his/her work of preference from the catalogue menu on the music stand, s/he enters the interactive guitar module (6) application as soon as s/he touches the strings of the guitar; in the drum form (26), the user enters the studio room of the performer modelled in 3D or hologram format with the avatar character of the latter, and s/he is asked to pass to the recording room, get closer to drum instrument therein, and wear a headset; and having chosen his/her work of preference from the catalogue menu on the music stand, s/he enters the interactive drum module (7) application as soon as s/he hits the drum; in the cinema form (27), the user enters the cinema room of the performer modelled in 3D or hologram format with the avatar character of the latter and choses any video that
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- Engineering & Computer Science (AREA)
- Theoretical Computer Science (AREA)
- Physics & Mathematics (AREA)
- Multimedia (AREA)
- General Engineering & Computer Science (AREA)
- General Physics & Mathematics (AREA)
- Acoustics & Sound (AREA)
- Data Mining & Analysis (AREA)
- Databases & Information Systems (AREA)
- Human Computer Interaction (AREA)
- Electrophonic Musical Instruments (AREA)
- Holo Graphy (AREA)
Abstract
L'invention concerne un album numérique interactif dans lequel diverses œuvres de musique sont présentées, moyennant quoi l'album interactif (1) permet de jouer différentes œuvres conjointement avec les œuvres de l'artiste. Un lecteur d'album interactif (2) comprend au moins un module de démarrage/lecture (31). Des boutons sont disposés dans chaque module (31) : un bouton de catalogue (14), un bouton d'arrêt (16) permettant l'intervention pendant le mode de lecture, un bouton de lecture (17), un bouton d'enregistrement (18), un bouton d'augmentation du volume (19), et un bouton de diminution du volume (20). Des salles virtuelles telles qu'un studio, un cinéma, un club avec des avatars de l'utilisateur fournissent une interface utilisateur conviviale. En utilisant le microphone de son ordinateur, l'utilisateur peut enregistrer sa propre version de l'œuvre.
Applications Claiming Priority (2)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| TR2014/08294 | 2014-07-15 | ||
| TR2014/08294A TR201408294A2 (tr) | 2014-07-15 | 2014-07-15 | Görsel ve işitsel interaktif 3d ve hologram albüm. |
Publications (1)
| Publication Number | Publication Date |
|---|---|
| WO2016010502A1 true WO2016010502A1 (fr) | 2016-01-21 |
Family
ID=54151378
Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| PCT/TR2015/050029 Ceased WO2016010502A1 (fr) | 2014-07-15 | 2015-07-10 | Album audio interactif avec fonction karaoké et interface utilisateur virtuelle |
Country Status (2)
| Country | Link |
|---|---|
| TR (1) | TR201408294A2 (fr) |
| WO (1) | WO2016010502A1 (fr) |
Citations (7)
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|---|---|---|---|---|
| US20090164902A1 (en) * | 2007-12-19 | 2009-06-25 | Dopetracks, Llc | Multimedia player widget and one-click media recording and sharing |
| US20100216549A1 (en) * | 2006-01-13 | 2010-08-26 | Salter Hal C | System and method for network communication of music data |
| WO2011106479A2 (fr) | 2010-02-24 | 2011-09-01 | Iboard, Inc. | Album multimédia numérique |
| EP2383742A1 (fr) * | 2010-04-27 | 2011-11-02 | Sharp Kabushiki Kaisha | Inventaire d' une collection de disques optiques par téléphone mobile et RF-ID |
| WO2012123824A2 (fr) * | 2011-03-17 | 2012-09-20 | Moncavage, Charles | Système et procédé d'enregistrement et de partage de musique |
| US20130025437A1 (en) * | 2009-06-01 | 2013-01-31 | Matt Serletic | System and Method for Producing a More Harmonious Musical Accompaniment |
| CN103684740A (zh) * | 2013-11-27 | 2014-03-26 | 中国科学院深圳先进技术研究院 | 移动终端相册加密方法、解密方法和加解密方法及系统 |
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2014
- 2014-07-15 TR TR2014/08294A patent/TR201408294A2/tr unknown
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2015
- 2015-07-10 WO PCT/TR2015/050029 patent/WO2016010502A1/fr not_active Ceased
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| US20100216549A1 (en) * | 2006-01-13 | 2010-08-26 | Salter Hal C | System and method for network communication of music data |
| US20090164902A1 (en) * | 2007-12-19 | 2009-06-25 | Dopetracks, Llc | Multimedia player widget and one-click media recording and sharing |
| US20130025437A1 (en) * | 2009-06-01 | 2013-01-31 | Matt Serletic | System and Method for Producing a More Harmonious Musical Accompaniment |
| WO2011106479A2 (fr) | 2010-02-24 | 2011-09-01 | Iboard, Inc. | Album multimédia numérique |
| EP2383742A1 (fr) * | 2010-04-27 | 2011-11-02 | Sharp Kabushiki Kaisha | Inventaire d' une collection de disques optiques par téléphone mobile et RF-ID |
| WO2012123824A2 (fr) * | 2011-03-17 | 2012-09-20 | Moncavage, Charles | Système et procédé d'enregistrement et de partage de musique |
| CN103684740A (zh) * | 2013-11-27 | 2014-03-26 | 中国科学院深圳先进技术研究院 | 移动终端相册加密方法、解密方法和加解密方法及系统 |
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| Publication number | Publication date |
|---|---|
| TR201408294A2 (tr) | 2016-01-21 |
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