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Green
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Flaubert and the Historical Novel:'Salammbô'Reassessed |
|
Packel
|
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Mathematics of Games and Gambling |
|
Adams
|
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Sport, Spectacle, and Society in Ancient Macedonia |
|
Nettelbeck
|
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The'post-literary'novel: Echenoz, Pennac and company |
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CH616522A5
(en)
|
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Set of display matrices
|
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Bieber
|
|
The entrances and exits of actors and chorus in Greek plays |
|
Kattwinkel
|
|
Constraint and violence: Boxing on the popular stage in the nineteenth century |
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Valgemäe
|
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Drama and the Theater Arts |
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Collins
|
|
Richard M. Nixon: The psychic, political, and moral uses of sport |
|
Martine
|
|
Hemingway's" Fifty Grand": The Other Fight (s) |
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Olmert
|
|
The Parson's Ludic Formula for Winning on the Road [to Canterbury] |
|
Krawietz
|
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Martial Arts Iranian Style: Zurkhane Heavy Athletics and Wrestling Contested |
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Hasan Ahmed Baban
|
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The relationship between sports and national identity in Europe in 20th century |
|
Gardner
|
|
Reisz in Hollywood: Deconstructing existentialism and the counterculture in The Gambler (1974) and Dog Soldiers/Who’ll Stop the Rain (1978) |
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Surtz
|
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Díez de Games' Deforming Mirror of Chivalry: The Prologue to the" Victorial" |
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Corrigan
|
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“Now Die, Die, Die, Die, Die!” Dicing as Memento Mori in Shakespeare’s Early Comedies |
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BE1001211A6
(fr)
|
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Jeu de societe appele jeu de mots.
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Kattwinkel
|
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CONSTRAINT AND VIOLENCE |
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James et al.
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Ghe (llairal Tulletitt |
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Berkowitz
|
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Shakespeare in Edinburgh |
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LOUGH
|
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The Size of the Theatre Public in Seventeenth-Century Paris |
|
Zatlin
|
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Martinez Mediero, Gala, and the Demythification of Spanish History |
|
Steven
|
|
Saturday Night Fever Just dancing |
|
Swortzell
|
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Broadway Bound? Or Beyond? |
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Heiney
|
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Boris Vian, the Marx Brothers, and Jean-Sol Partre |